Amado Batista - Acústico

Getúlio Abelha - Ao vivo no Madruguinha

Amado Batista - 40 Anos Ao Vivo

Reginaldo Rossi - Cabaret do Rossi

Conde e Banda Só Brega - Vol 2

José Orlando - Ao Vivo

I Will Raffle Off My Heart

Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.

Waldick, Sempre no Meu Coração

The documentary narrates the trajectory of Waldick Soriano, from the time he was a gold miner to his consecration as one of the icons of Brazilian music.

Qual a sua saudade?

O Amor em Fases

Mexeu Comigo

In the interior of Sergipe, a musical rhythm fills the parties and moves people. Music lovers and singers of the genre share their stories and how arrocha affects them.

Silvo Silva

A street performer in Recife (Brazil), decides to host a live broadcast with his followers to raise money for a new bluetooth speaker.

Outlawed: A Punk Rock Uprising in the Basque Country

A sonic journey through Basque punk rock and the turbulent past that defined its sound, chronicling the rise of the gaztetxe movement.

The Jesus Music

A political documentary that tells the stories of over 25 artists who give depictions of the controversy surrounding Christian Rock in the 70's.

La Traviata

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

The Black Hussar

In 1812, during the French period, large parts of Germany are occupied by the troops of Napoleon. Several paramilitary Freikorps units battle the French forces, among them the Black Brunswickers led by the 'Black Duke' Frederick William of Brunswick-Wolfenbüttel. After the War of the Fifth Coalition, the Black Hussars are pursued by Napoleon throughout the country, but frequently take refuge with the noble-minded German people.

Die schwedische Nachtigall

Paul McCartney: In the World Tonight

Documenting the recording process for Paul's 1997 album Flaming Pie, In The World Tonight is a fascinating insight into how a studio album is constructed, following Paul around his home studio and Abbey Road as he creates what would go on to be his first studio album in four years. In many ways there are two Paul McCartneys, the legend and the man. In The World Tonight reveals the man behind the public face, intimately capturing him at work, at ease and as candid as ever.

O Escravo

Historical information about the opera "O escravo", by Carlos Gomes, highlighting the fourth act, in which Iberê sings Iara's love.