The Kid

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Yotsuya Kaidan

Earliest japanese horror film.

Yotsuya Kaidan

Éternel amour

Yotsuya Kaidan

Yotsuya Kaidan

Yotsuya Kaidan

Broken Blossoms or The Yellow Man and the Girl

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

City Lights

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Pandora's Box

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

The Mills in Joy and Sorrow

A hobo takes revenge to a miller who didn't give him something to eat.

Martin Eden

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

Shin Yotsuya Kaidan

Yotsuya Kaidan

Yotsuya Kaidan (Jitsoroku Oiwa)

Faust

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Carmen

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

Robot Dreams

A lonely dog's friendship with his robot companion takes a sad turn when an unexpected malfunction forces him to abandon Robot at the beach. Will Dog ever meet Robot again?

October (Ten Days that Shook the World)

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Bear

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.