Letter of Forgiveness

In the household of a wealthy Romanian noblewoman in 1855, Maria, a Roma-Gipsy slave, fights to obtain freedom for her son Dinca. Part of a future full-length project, the short film presents a day in the household in which Maria and her son, Dinca, serve as slaves. As important guests arrive for dinner and all the slaves are making preparations, Maria and her son see this day as a chance to take a step to change their fate. During slavery time, up until 1856, the Romanian equivalent of the word "forgiveness" was used when referring to freeing someone from slavery (the Roma slave was "forgiven" from slavery).

Weapons and Their Names

Struggling to connect with her grieving family after the sudden death of her stepfather, a teenager sneaks off to shoot guns in rural Florida with her best friend.

Father Neptune

An impoverished young couple attempts to steal a boat to prove their love and worthiness to their son.

NONA

A destitute hitchhiking college dropout meets the girl of his fantasies at a local diner, stirring up fury-fueled bloodlust that she seems to encourage, almost too completely.

Tin

A sick musician comes across a homeless boy at the traffic lights. Decides to make a change in his and the boys life.

To Err

237 years after mankind's extinction, an android longs for a past it can never experience.

Icebreaker

Four strangers struggle to figure out why they matched on Icebreaker, a friend-finding app.

Late

Emil, a light-hearted 18-year-old, and his neurotic Mamá await a lunch guest. The guest is late. And the later it gets, the more anxious Mamá becomes.

The Swimmer

A boy realizes how will his life be in the present and future with or without his crush

Temps chimique

Sharp Candy

Lelaina was mellow, eating marshmallow.

Epitaph

In the Dark Ages a lone knight, haunted by the spirit of death, braves a dark forest to lay his wife’s ashes to rest.

Synthesis

We were born as a synthesis as a result of the opposition between the thesis of the West and the antithesis of the East.

Şükran

Fatma is a young teacher in her own right during the years of oppression and fear following the September 12 coup. One day, on her way home, Fatma is stopped by the police who were checking the road. The police are looking for a militant named Şükran and they take Fatma into custody, even though they know she is not the person they are looking for. Although Fatma denies being Şükran during her interrogation at the police station, the interrogation turns into torture after a while. Fatma finally accepts that she is Şükran. When the real Şükran is caught, Fatma confronts the real Şükran, who was sent to the same prison, and denies her existence.

Caso terminal

Contratiempo

Perriférico

Avalón (Paleativo)

Me voy a escapar