All You Can Eat

All You Can Eat is a brief yet captivating short film that highlights the hungry moments shared between Brylee and his partner as they enjoy a sushi date together at Trapper's Sushi.

Noble Sissle's Syncopated Ragtime

Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.

Every Wall is a Door

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

Decasia: The State of Decay

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

3 Minutes with a 12 Piece Band

An exploration of the individual components that make up a jazz improvisation, told in 13 parts.

Šturm und drunk

Luiz Villas-Boas: A Última Viagem

The Subject and Tasks of Biophysics

Experimental educational film reveals the emergence of some ideas of Biophysics in historical, philosophical and methodological aspects. The first film from the Biophysics Cycle (1982-1989).

Cecil Taylor: All The Notes

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

December Hide-and-Go-Seek

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

Série 7 (Éclatements de bulles de savon)

Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."

The Five Obstructions

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Black February: Music Is an Open Door

Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,

The Sound of Seeing

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Man with a Movie Camera: The Global Remake

Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.

Louis Armstrong: 100th Anniversary 1901-2001

A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.

Stop for Bud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Adios amigo mío, sin gestos, sin palabras

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Photodiary

"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito

Charlie Parker: Bird Songs

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.