A train operator's obsession with being on time leads to tragedy for his family.
Social & External
Grumpy Anderson
Zella
Tommy
Jim
Molly
A woman undresses, takes a bath, gets a massage, and relaxes.
The daughter of a railroad magnat has to take charge when her father unexpectedly dies. She uses her outdoor survival skills to kidnap a business rival to save the company from a stock market struggle.
Sessue Hayakawa was making the transition from Asian villain to sympathetic hero in this picture. The plot is a combination of racial stereotypes that were common in the U.S. during the silent era and real-life situations experienced by Asians living Stateside. Hayakawa plays Suki Iota, a student who, while born and bred in America, wants a wife with traditional Japanese values. She appears in the form of Rei (Tsuru Aoki, Hayakawa's real-life wife), a singer who becomes known as the Japanese Nightingale.
An Earl's disowned son becomes a chauffeur, loves a landlady, and is jailed for theft.
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.
The story, set in the 19th century, revolves around the hot-blooded Jussi, a young farmer, and his friend Antti and their brushes with the local nimismies (sheriff) and the häjyt (badmen). The film, shot on location on the plains of Ostrobothnia, conveys a good sense of its unique landscape. Both Järviluoma and the director, Jalmari Lahdensuo were from Ostrobothnia and the film successfully expresses a feeling of the true spirit of the province.
A modern Irish comedy western set in sleepy rural Sligo.
When Doris Baker spends her husband Dick into serious debt, he embezzles funds from the bank where he works to cover some speculative investments. He is joined in these plans by one of the bank's directors, but when Doris unknowingly snubs the director's wife, he pulls out his aid. Dick finds himself in serious trouble, and then Doris leaves him after an argument. She is about to leave for the Orient with her daughter Bessie, a friend, Mrs. Prescott, and an admirer, Patrick Alliston, but they are stopped at the station because Dick is believed to be with them. He isn't, and his difficulties drive him to an aborted suicide attempt. Doris finally wakes up to what is going on and reconciles with Dick. The bank examiner looks over the books and helps Dick get back on his feet, much to the director's chagrin.
The film follows Lya, a woman seeking refuge from Cossack soldiers, who finds herself at the palace of Prince Nicholas. She becomes his majordomo and they fall in love, but their relationship is disrupted when Nicholas learns of her past with a Bolshevik leader. Lya is expelled, becomes a terrorist, and later encounters Nicholas again, now disguised as a servant. When Nicholas is sentenced to death, she rescues him and they escape together.
Robert Lanning, a proper Bostonian who owns an estate in southern New Mexico, suspects that some of his employees are smuggling arms into Mexico, and sends his son, Robert Jr., to investigate. During his journey west, Robert meets Mary Hamilton, a stranded actress from a roadshow company of Uncle Tom's Cabin. Because Mary is still in costume as the character, “Little Eva,” Robert mistakes her for a child and takes her with him to the ranch. He ultimately discovers the identity of the arms smugglers and, with the help of the Mexican Rurales, brings the gang to justice. Robert then realizes that Mary is not a child and wins her for his wife.
The extended Steyer family lives together in a cottage in the mountains. The younger Steyer's wife Ludmilla wants money, and doesn't care if she must ruin the lives of the Steyer family to get it. Lost film.
This melodrama about an actress in love with a playwright and the stage manager blackmailing her for her affections offers a unique glimpse into Chaney’s career before his classic performances in The Hunchback of Notre Dame and The Phantom of the Opera. Preserved and restored by the Academy Film Archive in 2004.
The Giver Gives to Give is a black and white silent film starring a clown in search of a stage, an audience, a friend.
After a spectacular college football career, John Harkless leaves the university to pursue a place in Indiana politics. He buys the failing Plattville Herald and, using the newspaper to expose various illegal activities, sets out to rid the county of all mobsters and corrupt officials.
In 1941, a Jewish woman on the run with forged papers involuntarily shares a train compartment with a German officer.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
Capturing a beautiful horse and slave girl, Thurya young Arab Jaafor’s happiness is short lived when the girl is sold to a cruel sheik. Sneaking into the encampment he attempts escape with her on horseback but is captured. The attack of an enemy tribe saves him, the sheik is slain, and the young Jaafor’s tribe celebrates his nuptials with Thurya.
A primary school teacher rallies the citizens of a small town to resist the corruption of the local government and unite to build reinforcements against an oncoming flood.
Autistic teenager Jati struggles with change when his brother's breakup disrupts their routine — so he tries to find him a new girlfriend.
Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.
