A new, modern train station in the province of Croatia, where the only problem seems to be the numerous, unemployed people or as the station master complains: Why do films always have to show the bad side?
Social & External
Himself
The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Zdravko Čolić is the biggest pop star in Yugoslavia. We follow him during his "Traveling Earthquake Tour", lerning who is the man behind the microphone, dancers, glittery suits... and in front of the audience.
Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.
An anti-war documentary featuring original on-the-ground footage and interviews from the 1999 NATO war against the Federal Republic of Yugoslavia. Watch the 78 days of untold destruction, bombing bridges, hospitals, schools, and dropping up to 11 tons of depleted uranium across the country that NATO considers a successful “humanitarian intervention” in Yugoslavia. Filmmaker Gloria La Riva lifts the veil of imperialist propaganda to reveal the humanitarian crisis caused by the war.
A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.
Three Croatian activists struggle to change the world. As children, they lived through the violent collapse of Yugoslavia. But now, amid the aftershocks of socialism's failure, they fight in their own way for a new leftism. In the middle of the struggle, a skeptical American is won over by their cause and even goes to jail with them. The activists, whether clashing with police or squatting in an old factory, risk everything to live their politics. But as the setbacks mount, will they give up the fight? The film, shot during years of fieldwork with a Croatian anarchist collective, applies EnMasseFilm's unique blend of observation, direct participation and critical reflection to this misunderstood political movement. Its portrayal of activism is both empathetic and unflinching -- an engaged, elegant meditation on the struggle to re-imagine leftist politics and the power of a country's youth.
"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.
Drazen Petrovic and Vlade Divac were two friends who grew up together sharing the common bond of basketball. Together, they lifted the Yugoslavian National team to unimaginable heights. After conquering Europe, they both went to USA where they became the first two foreign players to attain NBA stardom. But with the fall of the Soviet Union on Christmas Day 1991, Yugoslavia split up. A war broke out between Petrovic's Croatia and Divac's Serbia. Long buried ethnic tensions surfaced. And these two men, once brothers, were now on opposite sides of a deadly civil war. As Petrovic and Divac continued to face each other on the basketball courts of the NBA, no words passed between the two. Then, on the fateful night of June 7, 1993, Drazen Petrovic was killed in an auto accident. This film will tell the gripping tale of these men, how circumstances beyond their control tore them apart, and whether Divac has ever come to terms with the death of a friend before they had a chance to reconcile.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
The story of a group of Yugoslavian "guest-workers" on their train journey to Germany. At Munich's main station, they land up in a basement. When they register, their names are replaced by numbers.
The elderly inhabitants of a village in Vojvodina look back on the war and the partisan battles. The film also examines how collective memories and myths enter the individual consciousness.
Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
This first-person documentary provides an inside look into the terrifying and bloody events that shook Central Europe in the 1990s, as the filmmaker takes a trip along the road that once united the disparate states of Yugoslavia, from Slovenia to Macedonia. A film about memory, hatred, love and hope.
This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.
In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.
Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.
A short social drama about an unemployed young man who begins to steal, but then repents and performs a heroic deed.
Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.
Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?
Erotic drama from France featuring beautiful Florence Guerin as a teenager who is switched in by a writer her mom allow us to move around in with them for the summer. The mom would love to get it on because of the writer not comprehending that he's being seduced by her child.
A year to the day after Dorothy and the people of the Emerald City defeated Urfin Jus, the villain is trying to exact his revenge. To command the army of Carraci, however, Urfin needs not only the magic book, but also Dorothy’s silver slippers. The slippers are safely hidden away in Dorothy’s house. Unfortunately, Dorothy’s guest, Tim, is overcome by curiosity and picks up the shoes, accidentally transporting himself, Dorothy and the slippers to the Land of Oz. The Emerald City and its citizens are in danger once again.
Almost Elvis is a searing documentary that chronicles and attempts to explain the cult of personality that is the Elvis impersonator. Filmmakers tail a handful of Elvis impersonators from around the country who are all vying to win the 1999 Elvis World Championship in -- where else? -- Memphis, Tennessee.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
After Lisa's brother mysteriously dies, she and her college friends go to her family home for answers. They are shocked to discover that his killer was non-other than the Christmas demon, Krampus.
Mexican feature film
Enjoy a beautiful sunset from Sai Kaew Beach in Thailand as you listen to relaxing music and the gentle sounds of waves rolling into shore.
Sayantan Mukherjee’s Action stays true to its name. There’s enough dhishoom-dhishoom, enough drama, enough glam quotient… and enough action. When Raka (Barkha Sengupta), a hot, 20-something, gun-toting coal-mafia’s amorous advents are rejected by college-goer Akash (Om), she turns his life into a living hell. So, Akash, along with his family, flees Ranigunj in order to escape Raka’s wrath and joins a college in Kolkata under the alias of Rohit Roy. Here, he meets Rini (Megha Chakraborty) and romance blooms. But is Raka ready to let go off Akash so soon?
This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.
"The World Trade Center: Rise and Fall of an American Icon" discusses the planning, construction, collapse, recovery, and cleanup of the buildings in the aftermath of their destruction by an act of Islamic terrorism.
They have partied through their 20s. Now, Tamara, Ponek and Sierzput have to figure out what to do with their lives. Tamara is a feminist, but also a hopeless romantic. Sierzput has just won his girlfriend back, but is struggling to hold on to her. And out of sheer boredom, Ponek has broken her own rule number one and has started sleeping with her friends. Three lives, intertwined in a fog of cigarette smoke and canned beer during a long summer in concrete-grey Warsaw, where the desire to party to the early hours is never far away. The Danish director Karl Forchhammer’s film is an entertaining and existential tale with raw edges.
Tony Harrison's poetic essay on the working class - in particular the British miners -, its struggles, its dreams and its icononography - at the very end of the 20th century, as interpreted through the myth of Prometheus.
A Woman's perfect day takes a turn for the worst. When a disaster hits her city. Will she be able to survive what comes next and find her husband?