Social & External
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
Prof. Jim Al-Khalili tackles the biggest subject of all, the universe. Through a series of critical observations and experiments that revolutionised our understanding of our world Jim guides us through the greatest cosmic detective story of all. He takes us from the beginning of the universe to the end time and answers the question: where did the universe come from and how will it end?
A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.
Albert Einstein's theory of general relativity has revolutionised our understanding of gravity, space and time. Initially acclaimed, then forgotten, and now rediscovered, the adventure of this hundred-year-old theory has marked the scientific history of the 20th century. From its inception, a mathematical difficulty arose that could have nipped the theory in the bud: the Schwarzschild singularity. In the company of great international relativistic physicists, the viewer embarks on a discovery of this theory with a singular destiny. We discover a "curved" universe that proves to be even stranger than Einstein had envisioned, and harbours some objects - such as black holes - that still challenge today's scientists.
An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.
Four 1950s cultural icons who conceivably could have met but probably didn't, fictionally do so in this modern fable of post-WWII America. Visually intriguing, the film has a fluid progression of flashbacks and flashforwards centering on the fictional Einstein's current observations, childhood memories, and apprehensions for the future.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
A portrait of Gabriel Medina, director and screenwriter of "Los paranoicos" and "La araña vampiro". He tells us about his creative process and what he looks for when making movies.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
Darrell Austin, Stevie Hyper D's nephew, embarks on a journey through 90s London to explore his uncle's legacy. Through conversations with family, friends, and artists Stevie inspired, he pieces together the full story.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.
Documentary centering on the controversial political career of Imelda Marcos, the former first lady of the Philippines whose behind-the-scenes influence of her husband Ferdinand's presidency rocketed her to the global political stage.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
The strange case of Mikhail Khodorkovsky — once believed to be the wealthiest man in Russia — who rocketed to prosperity and prominence in the 1990s, served a decade in prison, and became an unlikely martyr for the anti-Putin movement.
The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.
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