After death of her parents, Lisa Pullen journeys to sell land acquired through inheritance. She not only uncovers truths about her family’s past, but also finds love.
Social & External
Lisa Pullen
Mystic
Aunt Janet
Sean
Michael
Candy
Mr. Baxter
Prince
Jennifer
Daniel
Music Professor
Patrice
Paulette
Pastor
Palbo
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
After receiving an advance inheritance, a bored London couple set off on a world cruise hoping to rejuvenate their marriage and escape their dull routine. But newfound wealth and freedom only expose deeper cracks in their relationship, as each becomes infatuated with someone else. Their journey through exotic ports and mounting disillusionment ultimately brings them face to face with the fragility—and resilience—of love.
A man comes home after serving time in prison to claim his share of his deceased mother's estate. However, his adoptive father, who holds him responsible for his biological son's death, intends to fight him for everything.
A young woman's elderly husband dies and leaves her $5 million. She travels to Paris and becomes part of the "Continental" set and is pursued by a rich playboy and a lawyer who works for her.
Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
Sarah Asproon returns to New Orleans to act as executrix of the estate of a millionaire whom she was once the mistress of. She must decide which one of his surviving family members will inherit his fortune. It's not a decision that she's willing to make alone....
Two childhood paranormal incidents have convinced schoolteacher Faith Corvatch that her true love is a guy named "Damon Bradley," but she has yet to meet him. Preparing to marry podiatrist Dwayne in 10 days, Faith receives a phone call from Dwayne's old classmate named Damon Bradley who is on his way to Venice. Faith tries to catch him at the airport but just misses him so she impulsively decides to fly to Venice hoping to finally encounter the man of her dreams; accompanying her on the trip is her sister-in-law and childhood best friend, Kate, who has just left her husband, Faith's brother Larry.
Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.
When a New Yorker reunites with her estranged brother to settle their father's Louisiana Estate, they're confronted with secrets, old and new.
Take The Bridge is a 2007 independent film from Sergio M. Castilla about four young adults who all try to commit suicide on the same day and how they meet up and become friends. The film Premiering at the 2007 Tribeca Film Festival.
After the death of uncle Olivier, his estate, a small chateau in Provence and the small town's only undertaker firm in its cellar, befall equally and jointly to his local stepson André Vidal, who runs the business since Olivier semi-retired ill, and German cousin, business consultant Charlotte. She arrives from Frankfort to sell the estate at the skyrocketing prices for such idyllic hospitality industry sites. André is shocked, determined to preserve the town's social fabric by preserving Olivier's heritage, and disappointed she doesn't even recognize him as childhood best playmate. It turns out the backward taxes are a ticking bomb, which she sneakily intends to ignite, only André's charms and the lavender-scented bucolic way of life appeal ever more even to businesslike Charlotte.
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
Young Remi, a foundling, lives on the farm run by his impoverished foster parents. When their money runs out, unbeknown to his foster-mother, Rémi is sold by his hard-hearted foster father to an old street performer named Vitalis. Vitalis was once a famous opera singer, but became destitute after a tragic love affair.