Dark Buildings (A Crack in the Wall)

When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)

The Peasants

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

The Amateur Monster Movie

After a group of boy scouts are mysteriously killed by a wolf-like creature on Cadaverous Island, Walter Romero, whose best friend was among the killed, sets out to find exactly what happened. In order to reach the island, Walter teams up with Johnny Mason, neighborhood stoner, to smoke up Ashley Valinski, neighborhood hottie, and get her to take them out on her father's boat. But soon after arriving on Cadaverous Island, a horde of zombies steals their boat, leaving them stranded, and the three are forced to team up with two cops, the mayor, and a team of botanists to either kill the monsters... or be killed themselves..... DUN-DUN-DUN!!!

Skin of a Mandarin

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Smash TV - Skinemax

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

Laura Pausini - MTV Coca Cola Live

Abrek Zaur

The dashing mountaineer Zaur (B. Bestaev) kills a Russian "imperialist" thereby becoming an abrek, member of a roving band of outlaws.

Torture Money

In this MGM Crime Does Not Pay series short, police go after a fraud operation that stages automobile accidents to collect insurance money.

MIRÊ

Garden of the Dead

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

Sexual Response

Eve Anderson, a radio call-in host helps people with their relationships, but finds her own marriage lacking. A man approaches her in a bar and soon she's tempted into an affair. The lover starts pushing her away when she starts falling in love with him, and Eve begins suspecting he has ulterior motives when he steals her husband's gun.

Uli Hoeneß - Der Patriarch

Blanche faïence

Awakening

A famous "feng shui" master (fortune teller) gets a wake-up call when a distraught ex-customer threatens to expose him as a fraud.

Burning Man: Voyage in Utopia

With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.

Bad Girl

A thief faces the Yakuza and the Chinese Mafia

Facing the Void

In the collective imagination, mountaineering is seen as an elitist and dangerous activity. When the mainstream press talks about mountaineering, it is generally related to a drama or an exploitation. The mountaineers are then placed in two categories. On the one hand, reckless supermen, engaged in a death struggle with the mountains.

The Dachshund

They’re small, clever, and incredibly strong-willed: dachshunds. Their soulful gaze wins hearts and fuels their lasting popularity. Once royal hunting dogs, they now take on unusual jobs—like Strolchi, a miniature dachshund who sniffs out woodworm in historic buildings. The bond between humans and dachshunds goes back to Celtic times. Archaeologists have even found joint burials of people and dachshund-like dogs. Versatile and charming, they thrive as city pets, hunting companions, and even racers—like those at the annual Wiener Race in Kirchheimbolanden. Beloved far beyond Germany, dachshunds have fans in France too, with events like Paris’s “Sausage Walk.”

Shadows

During the Second World War, tens of thousands of blonde, blue-eyed Polish children were snatched from their parents and given to German families. Lebensborn was part of Hitler's plan to expand the Aryan master race within the Third Reich. Eight-year old Jerzy returns home at the end of the war to a joyful reunion with his long-lost mother and grandfather. But problems arise as he is taunted by his peers and, longing for his missing father, burns with resentment for his new communist stepfather.

LEWISTON

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.