Social & External
The Moment in Time documents the uncertain days of the beginning of World War II when it was feared the Nazis were developing the atomic bomb. The history of the bomb's development is traced through recollections of those who worked on what was known as "the gadget."
Bots High is an exciting documentary following the adventures of three high school robotics teams battling for first place at a national robotics competition in Miami, Florida. It's a no-holds-barred fight to the death with robot carnage everywhere you look. Genius inventor Will builds robots so powerful they're unstoppable...if only they don't destroy themselves first. The Mechanical Misfits are an all girls team stumbling through their first foray into combat robotics and Elizabeth and Danielle are a formidable pair looking to reign supreme during their last year of high school. Bots High follows these students as they design, build and compete at Nationals - all while surviving high school, first love and teenager procrastination. A FilmBuff Presentation.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
Physicist Ted Hall is recruited to join the Manhattan Project as a teenager and goes to Los Alamos with no idea what he'll be working on. When he learns the true nature of the weapon being designed, he fears the post-war risk of a nuclear holocaust and begins to pass significant information to the Soviet Union.
The film explores the background and build-up to this final flight to disaster. Using dramatic reconstruction, archive footage and exclusive interviews with leading historians and engineering experts, the special delves into the political and scientific events that led up to the catastrophe.
Larry the Cucumber's vision of the future includes automated robotic hosts telling jokes with random punch lines and musical numbers in which the performers and themes are chosen entirely by chance. As Bob the Tomato quickly points out, the jokes of the future aren't very funny because they don't make sense. Worse, technical malfunctions in the Ventrilomatic hosts actually promote emotional instability. Nonetheless, Bob admits that Larry's vision of the future contains some very cool adaptations of classic songs like Gilbert and Sullivan's fast-talking "Modern Major General" and Binky the Aardvark's solo performance of Mozart's The Barber of Seville. Larry's vision of the future also includes an amusing animated short about greed called "Lunch." Junior Asparagus calls Bob and Larry back to the present with a final song celebrating God's unconditional love.
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
Stories of the people who built the first atomic weapons are well known. But what about those who provided the uranium? We look at a mysterious man who derived huge profits from the business of war.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.
With over 500 publications to his name, from the 50’s to the 80’s, he had anticipated computers and electronic gadgets invading the household, autonomous vehicles and man’s withdrawal from nature. Science fiction and anticipation stories have never been as popular as today. It inspires literature, drama series, films, even politics and the military. As the world we live in faces an unprecedented technological acceleration, we are more concerned than ever by the issue of our future.
A small town band makes it big, but loses track of their roots, as they get caught up into the big-time machinations of the music biz. Now, they must thwart a plot to destroy their home town. Built around the music of The Beatles, this musical uses some big name groups like Peter Frampton and Aerosmith.
Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
Our two-hour film highlights the life and career of Dr. Schreiber with respect and clarity. Raemer, his wife Marge, and young daughter Paula would move to the high-desert of New Mexico where he and other brilliant minds would change the world forever.
This essential, Academy Award–nominated documentary offers an urgent warning from history about the dangers of nuclear warfare via the story of J. Robert Oppenheimer, the enigmatic physicist and all-around Renaissance man who led the Manhattan Project to develop the atomic bomb that America unleashed on Japan in the final days of World War II. Through extensive interviews and archival footage, THE DAY AFTER TRINITY traces Oppenheimer’s evolution, from architect of one of the most consequential endeavors of the twentieth century to an outspoken opponent of nuclear proliferation who came to deeply regret his role in ushering in the perils of the atomic age.
A documentary on the life and work of the composer Sofia Gubaidulina.
This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.
To historians, physicist Lise Meitner deserves to be placed on a par with Einstein, Heisenberg and Otto Hahn. In the 1930s on the verge of World War II, she led a small group of scientists who discovered that splitting the atomic nucleus of uranium releases enormous energy. This extraordinary film tells the story of a woman who was far ahead of her time as a scientist and a pioneer of feminism.
With the Doomsday Clock the closest it's ever been to midnight, Jane Corbin investigates the proliferation of nuclear weapons across the globe. She visits Los Alamos, home to the United States’ nuclear weapons development facility and the historic home of Oppenheimer’s Manhattan Project. In Scotland, she reveals the strategy behind Britain’s nuclear deterrent, and speaks to campaigners in Suffolk fighting against US weapons they fear will be based on UK soil. Jane also discovers how many of the global agreements and safeguards that have constrained the spread of nuclear weapons since the 1970s are breaking down. This is a story told by the scientists, investigators and diplomats who set the clock and have fought to ensure that the ultimate deterrent has not been used in over 70 years.
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