Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Self

Self

Self

Self

Self

Self
Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self
Self

Self

Self

Self

Self

Self
Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self

Self
Self
Self

Self
Self

Self

Self

Self

Self

Unknown Role

Unknown Role
