Politics and love leads to a love triangle between father, son and stepmother.
Social & External
Philippe II., Roi d'Espagne
Don Carlos, Infant d'Espagne
Rodrigue, Marquis de Posa
Le Grand Inquisiteur
Un Moine
Unknown Role
Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
A surreal movie by peter Weigl starring Michael Biehn and Lubomir Kafka.
Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.
Bugs Bunny vs. a famous opera singer at the Hollywood Bowl.
Donizetti's L'Elisir d'amore in a colorful version signed Annabel Arden. A pastoral romance between Adina, the rich and gorgeous landowner, and Nemorino, a simple peasant, L'Elisir d'amore sets Tristan and Iseult's love potion at the center of the action. With Ekaterina Siurina, Peter Auty, Alfredo Daza, Luciano Di Pasquale and the London Philharmonic Orchestra under Maurizio Benini's baton. Revival of production first performed 12 October 2007. This recording is of performances 12/15 August 2009.
Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones.
Eva-Maria Westbroek stars in the title role of Zandonai’s sensuous drama, opposite Marcello Giordani as Paolo. Piero Faggioni’s lush production provides the perfect setting for one of the all-time great tales of tragic passion, adapted from an episode in Dante’s Inferno. Mark Delavan co-stars as Giovanni, the husband and brother of the star-crossed lovers, whose jealousy leads him to kill them both. Robert Brubaker is Malatestino and Marco Armiliato conducts.
Star soprano Anna Netrebko scored a triumph in Laurent Pelly’s acclaimed 2012 production, singing the title heroine for the first time at the Met. Manon’s story—from innocent country girl to celebrated courtesan to destitute prisoner—is one of the great tragic tales in literature and music, and this performance brings out all of its colors, as seen through Massenet’s masterful score, from the comedic beginning to the heart-wrenching finale. Piotr Bezcala is des Grieux, Manon’s lover, who decides to become a priest when she leaves him, but ultimately is reunited with her, only to lose her again. Paulo Szot sings Lescaut, and Fabio Luisi conducts the Met Orchestra and Chorus.
Dvorak's masterpiece. 1981 telecast conducted by Jan Štych.
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The Pierre Audi production of Mozart's Die Zauberflöte was recorded live at the 2006 Salzburger Festpiele.
Wiener Philharmoniker and Wiener Philharmonia Chor Conducted by Karl Böhm Directed by Vaclav Kaslik
Princess Fedora, who is to marry the Count the following day, arrives and sings of her love for him, unaware that the dissolute Count has betrayed her with another woman. The sound of sleigh-bells is heard, and the Count is brought in mortally wounded. Doctors and a priest are summoned, and the servants are questioned. It is proposed that Count Loris Ipanov, a suspected Nihilist sympathiser, was probably the assassin. De Siriex (a diplomat), and Grech (a police inspector) plan an investigation. Fedora swears on the jewelled Byzantine cross she is wearing that Count Andrejevich's death will be avenged.
A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.
Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.
Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.
Washington National Choir and Orchestra
A 12-year-old boy tries everything to join a music lovers club.
Opera superstar Cecilia Bartoli offers her first operatic release on DVD in 12 years, and also her first opera in English. Bartoli stars as Semele (a role usually taken by a soprano) in Handel s late opera, which features such well-known arias as Endless pleasure, endless love, Myself I shall adore, and Oh sleep, why dost though leave me? Robert Carsen s stylish modern dress production hints at parallels with the problematic relationship between the late Princess Diana and the British Royal Family. Recorded live at the Zurich Opera House in January, 2007.
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