The film is based on an ethnic Jewish comedy with characters created by Montague Glass and Charles Klein.
Social & External
Morris Perlmutter
Abe Potash
Rosie Potash
The Head Model
Boris Andrieff
Feldman
Irma Potash
Ruth Goldman
A naive young man joins the Army in order to become a pilot.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.
A photo studio operator seems only interested in flirting with women. Hilarity ensues.
Re-imagined version of the now lost first Finnish film. Two siblings inherit all the essentials for a good life: moonshine equipment and a pig. As they embark on their journey, business is good until a card shark arrives.
Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats.
Romance of a Boot and a Dancing Slipper
Daisy Jones had been married just a year when her husband failed to kiss her one morning, and she decided that he did not love her any more.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Le mogli e le arance is characterized by a wonderful sereneness. It is the kind of quietude which many of us connect immediately with the south. Everything seems to be in its perfect place, and time is just passing. In the setting of a sanatorium a nobleman is practicing idleness and slow-motion mind games. Does it sound boring? Yes, it does. But it is not, the uneventfulness is definitively enthralling. The film director tries to narrate time, time itself, as such, for its own sake: a rare experiment.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
Compilation of comedy sketches from the comedy kings Buster Keaton, Charlie Chaplin, Danny Kaye & Bing Crosby.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.