A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
Social & External
Himself
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.
Introduction to an extensive training program for everyone professionally involved in the process of film conservation and film restoration. The realization of this training program was initiated and coordinated by ECIPAR (Bologna-Italy) and the Cineteca del Comune di Bologna. It was produced in co-operation with eleven European film archives and film laboratories and co-financed by the FILM project - FORCE program of the European Community.
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
A short documentary about the making of John Ford's "Rio Grande."
A documentary about the making of Walerian Borowczyk's 'Blanche'.
A short documentary about the life of director and artist René Laloux, featuring an interview with Laloux from 2001.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.
A short documentary about the making of "The Great Dictator."
A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
