A Texas Joke

A short silent film produced by Gaston Mèliès in San Antonio.

A Postal Substitute

When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.

Progressive Touch

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

Twin Beds

A young husband just wants to spend a quiet evening at home with his wife, but her collection of zany friends make hash of his hopes.

Molly Go Get 'Em

Young and wealthy Molly Allison can't be "presented" into society until her older sister Julia is married, but that doesn't stop Molly from pursuing her usual wild ways. She finds herself in turn pursued by Count Renaud, unaware that he is a criminal interested in swindling her out of her money. To discourage the Renaud's attentions--and because she already has a boyfriend, Billy Wilcox--she tells Renaud that she is actually an Indian squaw who is just living in the Allison household. That doesn't stop the Count, however, and he turns his attentions to Molly's sister Julia.

The Weaker Vessel

Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.

His Phantom Sweetheart

An escaped lunatic threatens the romance of his wife and her new suitor.

Pan profesor, nepřítel žen

Hokus Fokus

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.

Cyclone Pete's Matrimony

An early silent short comedy directed by William Haddock.

The Newly Born

A short silent comedy produced by Gaston Mèliès in San Antonio.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Women They Talk About

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

The Star Reporter

Major Starr is an ambitious newspaper reporter who has taken undercover employment as chauffeur to Lady Susan Loman in the hope of witnessing high-society goings-on which he can use in a feature article he is planning.

Table Steaks

The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.

Don't Call Me Little Girl

Joan Doubleday is a shy spinster, who has been engaged to Monty Wade for 12 years, is secretly adored by Peter Flagg. Her young niece, Jerry, arrives and sets out to capture Monty. On the wedding day, Jerry announces that the grooms have exchanged places and that Peter will marry Joan. A quarrel prevents preparations for the wedding, but Jerry finally convinces Joan that she was meant for Peter.

Once a Gentleman

A butler goes on vacation, where he is wrongly taken to be a wealthy man.

The Head of the Family

Silent Comedy of the battle of the sexes for dominance within the home.

Hansel and Gretel

This is the story of the heartless mother whose burdens are such that she would be rid of her two children. The henpecked father is compelled to take them to the woods and there lose them. Gretel drops bread-crumbs to find her way home, but wild-fowl eat the crumbs and they are truly lost. The babes wander to the home of a witch, who would fatten them up to make ginger-bread of them. As they are about to be thrown into the blazing furnace Peggy outwits the witch, and, in turn, the witch is thrust into the roaring flames, as the mother, repentant, heads the neighbors in the work of rescue.

Miss Hobbs

She was a very modern young woman, was Miss Hobbs. Her ideas were about fifty years ahead of time. For one thing she hated men, thought them all brutes. But love has a way of smashing such an idea. Then she went in for barefoot dancing, futurist art and other advanced notions. Well, the upshot of it was the young man took upon himself to tame her, to make her a regular girl.