Animated short film. Preserved by the Academy Film Archive in 2009.
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An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs… Preserved by the Academy Film Archive in 2009.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A cowboy helps a pretty young woman find lost gold. Restored by the Academy Film Archive with additional funding from the National Endowment for the Arts.
An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul. Preserved by the Academy Film Archive in 2012.
Short film in support of the Red Cross showing civilian volunteers'work, radio and movie personalities at a fund-raising gala and encouraging recruitment. Deanna Durbin performs a song dedicated to the nurses. Preserved by the Academy Film Archive in 2012.
Kavery Kaul’s engaging documentary traces the history of calypso and soca music from their birth in the African-East Indian traditions of Trinidad and Tobago through its worldwide diaspora, including its popularization in the 1950s by Harry Belafonte and the new independent distribution networks that arose to serve the expatriate community in the 1980s. North American restoration premiere at To Save and Project: The 19th MoMA International Festival of Film Preservation on January 27 and 31, 2023. Digital restoration by the Academy Film Archive and the Women’s Film Preservation Fund of New York Women in Film & Television; courtesy of Riverfilms.
In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
A symbolic reflection on issues of female sexuality, art and identity constructs.
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.
As Christmas approaches, Frannie Stein learns from her snide friend Gloria Oestriger that there is no Santa Claus. Frannie's disbelieving, but her father confirms the horrible truth. Frannie enlists the help of her younger brother, Kenny, and they go to a graveyard to dig up some parts, which they assemble in the Stein basement. Soon, they've finished their creation and are ready for revenge on Gloria. Who says there's no Santa? Preserved by the Academy Film Archive in 2012.
Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
