Social & External
Unknown Role
Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. Armed with the complete DVD box of dogwhisperer Cesar Milan and all Martin Gaus-books, Van Dongen starts raising a young puppy. What this world needs is a calm, confident leader. It's only a matter of time before a well-trained rescuer walks by her side. Until one day the dog trainer gets sick and everything turns out differently….
Youp recently found his fifty year old wigwam, which made him - when he was little - delighted.
The brothers Gé and Arie Temnes return to the home where they used to live as teenagers during WWII. Arie talks about the role that he played in the resistance movement.
Stage registration of the comedy special from 2018 by the Dutch comedian Patrick Nederkoorn. Nederkoorn tells about his political career. What inspired him to become a councilor one day. What abject views has he defended? What empty words did he utter? How can you lose yourself in something you believe in so much and then find yourself again?
Live registration of a concert by the Dutch musical comedy duo Yentl (Schieman) en (Christine) de Boer. They sing songs about Hogwarts, the men they knew, claiming a seat in the public transport and many other things. With musical accompaniment by the musicians Laurens Joensen, Jan Teertstra, Viktor van Woudenberg and Charlie Zastrau.
Stage registration of the third comedy special by the Dutch comedian Yora Rienstra. When Yora Rienstra and her wife have a child with a donor, she must find her way in an uncharted role.
Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.
Registration of the second theatre program by the Dutch comedy duo Plien (van Bennekom) & Bianca Krijgsman.
TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.
The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
Video registration of the first comedy special by Dutch comedian Janneke de Bijl. After graduating in philosophy, De Bijl expresses her insight into the meaninglessness of life in her comedy. In her first comedy special she rants about her relationship, her sluggish environment and the whole self-help culture, which she has of course tried out for herself first. Janneke answers questions such as: how do you know whether to close your mails and why running doesn't solve anything?
Video registration of the second comedy special by the Dutch comedian Martijn Kardol. A show about social distancing, the online life and individualism.
Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
