A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
Social & External
Richard
Michael
Anna
Karen
Himself
Bar Patron
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
Every day Paul crosses a canal that separates the Amsterdam city center from the north side, where his lover Christiaan lives and waits for him. A dear routine for both - until one day Paul meets Claire, who starts seducing him into her very own universe, the Hotel Paradijs. Claire makes Paul the audience of her own play: a play where the roles are reversed and into which Paul is undeniably drawn.
A man with social anxiety gets followed by a naive and clumsy creature. Terrified the man tries to escape, unaware that the creature is actually a helper with slightly unconventional methods.
Based on the real life story of Sagawa, a Japanese student who killed, dismembered and ate a young Dutch girl in Paris.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
Mirta is Cuban and lives in Madrid. As many others immigrants she works in cleaning industry. Today at six o'clock p.m. her daughter is going to marry. But nothing turns out as she hopes, and to reach this wedding is more difficult than it appeared at first sight.
The film focuses on the thoughts inside the head of a man, an astronaut scheduled to go to the Moon. As he ponders the flight, he laments having an “ordinary” name he fears will not resonate throughout history. His thoughts lead him to consider some of the pioneers of flight-Icarus and his wings, the Montgolfier brothers and their balloon and the Wright brothers and heavier than air flight.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Edyth Fellows is a nurse recruited for an research project with a time travel device that can snatch any being from any time and bring it to the present. The first such test brings an Neanderthal child to the project and Fellows is responsible for his care for the interim. As she manages this task, Fellows is increasingly revolted at how the scientists dismiss him as little more than an animal, especially when his real intelligence shows. This growing moral dilemma comes to a head when Fellows realizes what they plan to do with him and she cannot stand by and let it happen.
A young boy’s infatuation with flight is the subject of Vláčil’s poetic, prize-winning early short, made for the Czechoslovak Army’s film unit.
Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...
“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher
2-minute animation film to music by John Coltrane.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
Patrick Henry's rousing speech before the Virginia legislature argues for colonial independence.
The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
Oil Can Harry captures Mighty Mouse and traps him in the Mohave desert about to be eaten by vultures. Harry kidnaps Pearl Pureheart's father, the Colonel, ties him with a boulder and drops him off the Brooklyn Bridge and into the East river teeming with hungry crocodiles, then he goes after Pearl. The cops were too late to stop him as Harry absconds with Pearl. Meanwhile, Mighty Mouse breaks free and clobbers the vultures, rescues the colonel and his daughter and defeats Harry once again. Lots of singing in this operetta! This cartoon was produced in that old radio serial style, with the announcer setting the scene and interjecting throughout.