Love Chaos Kin

An Indian immigrant mother helps her adopted twin daughters reconnect with their White birth mother and estranged Native American father, exposing raw class divides while transforming their understanding of identity and belonging.

Boy Boy Girl Girl

A dark comedy about a gay couple trying to adopt a newborn from a drug-addict and her abusive girlfriend.

Endless Summer Syndrome

When the mother of two adoptees is tipped off about the possible affair her husband may be having with one of their children, her sense of duty takes a macabre turn.

Le Fils

Little Manhattan

Ten-year-old Gabe is just a normal kid growing up in Manhattan until Rosemary Telesco walks into his karate class. But before Gabe can tell Rosemary how he feels, she reveals that she will not be going to public school any more. Gabe has a lot more to learn about life, love, and girls.

Four Brothers

Four adopted brothers return to their Detroit hometown when their mother is murdered and vow to exact revenge on the killers.

Wo Ai Ni Mommy

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

Black, White & Us

Explores racism in America through the lives of four white families who adopt African American children and must overcome their own inherent biases to become advocates. Is there a way to fix our country's racial divide? These transracial adoptive families just might provide the answer.

Mein fremdes Land

A Bolivian by birth, who grew up with adoptive parents in the Swabian town of Mössingen, is looking for his family in the mountains of Potosí. Out of poverty, his mother gave the little boy away when he was just a few months old. The search carries a story that goes far beyond personal fate. Because Manuel was born in a region known for the ruthless exploitation of silver. It's a film about identity, homeland and equal opportunities.

De Chinese keizerin

Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.

Meet Me On The Bridge

Kati Pohler was abandoned in a market in China when she was three days old. Her parents left a note saying they would meet her on a famous bridge 10 or 20 years later. When the time arrived, it became a huge story in China, but Kati was living in America and had no idea. This is how she finally met her biological family.

Dawnland

They were forced to assimilate into white society: children ripped away from their families, depriving them of their culture and erasing their identities. Can reconciliation help heal the scars from childhoods lost? "Dawnland" is the untold story of Indigenous child removal in the US through the nation's first-ever government-endorsed truth and reconciliation commission, which investigated the devastating impact of Maine’s child welfare practices on the Wabanaki people.

Fantasy Island

A group of contest winners arrive at an island hotel to live out their dreams, only to find themselves trapped in nightmare scenarios.

Somewhere Between

Questions of race, identity and heritage are explored through the lives of young American women growing up as adoptees from China. These four distinct individuals reflect on their experiences as members of transracial families.

Blindsided

A documentary examines the claims the Tuohy family have made about adopting Oher for over a decade, casting scrutiny on the conservatorship they put in place which has now been terminated by a judge. Oher’s litigation with the Tuohys continues, with the latter filing a sworn document on November 8 that they paid Oher more than $138,000 in profits from the film. Oher is expected to file any counterclaims by the end of November.

First Person Plural

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

Brother

Un germà explores the emotional and physical distance between two brothers, through archival footage and present-day material, the film blends past and present to show the difficulties they face in reconnecting.