Social & External
Self (archive footage)
With the help of record label 88rising, we look through the eyes six different artist from six different backgrounds, all within Asia, as they share their thoughts on the recent rise of hip-hop throughout the region.
STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.
In the heart of the Jura mountains, a call resounds through the forest. The silhouette of a Eurasian lynx creeps through the trees. A male is looking for its mate. Suddenly a call answers back. It is the beginning of the story of a lynx’s family we will follow over the seasons. While it is rare to come across this private feline, it is exceptional to discover its daily life in the wild.
At the age of 10, Natascha Kampusch was kidnapped and held captive for eight years by a deranged man. In 2006, she managed to escape, and the world discovered an astonishingly articulate and intelligent young woman. Not only did Peter Reichard film 14 hours of conversations with Kampusch, but he was also the very first filmmaker to obtain exclusive access to the house where she was imprisoned. This is the most complete, explicit and revealing documentary in which Kampusch has participated.
Documentary that recovers the figure of the singer Terremoto de Jerez and his legacy.
Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.
For several days, a team of police officers (backed by Judge Anne Gruwez, the revelation from their previous So Help Me God) sift through the evidence in a murder case that’s tougher than it appears. Jean Libon and Yves Hinant lead a police investigation unlike anything you’ve ever seen. With every banal turn of events, camaraderie and professionalism go hand in hand as humour meets tragedy and a handful of fries, a Tupperware container and St. Rita heighten the suspense. Hilariously scathing, yet filled with tenderness.
The story of how the original Godzilla went from idea to script to screen.
In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.
Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.
January 13th, 2024; Suffolk County's punk, grunge, and emo scenes are showcased through the more than a hundred attendees at Caveversary; an annual celebration of the independent basement venue, The Cave.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Film icons and genre experts share observations, experiences, and analysis to help reframe, deconstruct, and re-contextualize the "lost" decade of horror: the '90s.
Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
Michael Almereyda’s Paradise is a poignant and surprising sketchbook, a collection of brief episodes captured during a decade of travel. The film is marked by a sense of mystery, wonderment, and sly humor, reflecting a notion of life as a series of elusive, paradisiacal moments that are routinely taken for granted — and always slipping away.
Jackie Chan is a true icon of Asian and Chinese culture. Over a 45-year-long career, he has carved a niche for himself as an actor, stuntman, director, and screenwriter, but also singer and formidable businessman. After starring in almost 200 films, Jackie Chan has reconciled fans of genre film and Hollywood blockbusters, whilst bridging the gap between Asian and Western cinema. Through film excerpts, archive footage and images, and an offbeat approach inspired by the visual codes of the golden age of kung fu films, this documentary will take a look back at the creation of a popular hero who has come to be an icon for China, and for the entire Asian continent.
