Social & External
Statue
A man contemplates whether or not it is possible to do something unique.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
An Assassin is cursed by the souls of the people he killed in the past. Now, he is a Grim Reaper, a demon who receives constant punishment for his sins. Consequently, on a journey to hell, an Entity confronts the Assassin in a philosophical-moral debate about the meaning of forgiveness, the imprisonment of guilt, and the existence of redemption.
In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.
A man takes a mysterious pill that gives him the ability to teleport into different times and different places, but with serious consequences.
In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
An overly anxious man mysteriously finds himself unable to leave a bathroom.
A musical fantasia on religion and the nature of exploitation.
Two souls: One seeks to know her life's true essence and the other is haunted by foreign sights of himself, as they both are influenced by an existence beyond human realm—whom continually oversees them across eras, trapping them in a game of time and the unknown.
“Omen, a dark and timeless traveler, emerges from the belly of a gutted sheep and finds himself in an unknown void. In this tormented space, a disturbing encounter awaits him: an Enchantress. Through silent revelations and hidden omens, a haunting and supernatural journey begins, in search of meaning beyond appearances.”
"A vampiric Elf awakens in his eerie dwelling, where the arrival of disturbing figures through a mysterious portal unsettles the atmosphere. An enigmatic and mystical journey into the unknown."
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material itself influence each other more and more to the point of physical destruction.
