Social & External
Agnes may not seem like someone with much to laugh about. For one thing, she has albinism - a lack of pigment in the skin, hair and eyes - and her appearance has provoked prejudice from family, friends and strangers since she was born. But despite all odds, Agnes refuses to lead a life of sorrow. This fascinating and inspiring documentary also shares the stories of seven other people's individual experiences of living their lives with albinism in Kenya, a predominantly black society. While each person's story is unique, they all have one thing in common: they know what it is like to stand out uncomfortably from the crowd.
Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.
A couple of artists travels through the Mexico desert to present their puppet show.
The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.
Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.
Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.
Guy Debord's analysis of a consumer society.
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.
“To me films are an imaginary world where emotion comes into play.” YOO Teo traveled to Belgium to make his movie but he ended up being locked down due to COVID-19. This film is about his 15-days of quarantine in Antwerp Hotel fighting for his movie and loneliness. He also depicted his most personal story. This is the debut film of YOO Teo both as the star and the director.
The elite pilots of the Air Force Thunderbirds display exceptional skill, trust and courage during a high-stakes training season.
30 years after the Chernobyl catastrophe and 5 years after Fukushima it is time to see what has been happening in the “exclusion zones” where the radioactivity rate is far above normal.
Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.
Meet the Mormons examines the very diverse lives of six devout Mormons. Filmed on location and across the globe, Meet the Mormons takes viewers on a journey into the day-to-day realities of individuals living in the U.S., Costa Rica, Nepal and beyond. From their individual passions to their daily struggles, each story paints a picture as rich and unique as the next while challenging the stereotypes that surround the Mormon faith.
In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.
Women in China is a timely two-part documentary on the conditions of women in today's economically -oriented Chinese society. By visiting four diverse parts of China, it provides a representative view of the opportunities and living conditions of Chinese women today.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.
In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her.
He built a supplement empire by devouring raw meat on social media. And he had the muscles to prove it. But, really, how did the Liver King get so huge?
