A three-screen video installation juxtaposing the Dutch sky, the artist's grandparents' apartment, and the cityscape of Changsha.
Social & External
The people behind it
Yiyi Chen
Self (Granddaughter)
Jieping Liu
Self (Grandmother)
From Salt to Soil is hour long audiovisual project bringing together the sounds of USOF & Zarya with the words of Joana Coelho and Madalena Anjos, directed and edited by Léna Lewis-King. The film follows the landscapes from Barreiro to Crato, layered with notations, inner and outer worlds - tracing the geographic / poetic, with transportive and hypnotic sound scapes. It was made for the 2025 edition of Waking Life festival, where it debuted as the opening event for their cinema programme, Moonscreen.
A meditative depiction of a colonial villa in Mungo, Surinam, taken back by nature.
2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.
"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.
The Concrete Road is a three-channel installation work which was premiered during the Graduation Show 2021 at Gerrit Rietveld Academie. "Landscape shifts, unmodernised desires. This is a story comprising three avatars of myself talking to and interviewing each other, reflecting on memories and weaving a path on coming of age. Sticky childhood memory which never fades. Loosely fitted gender/racial identity struts in juvenile cravings. Self-loathing, negation of the past, and his frowning parents. The tyranny of modernism leaves a leaky path for the protagonist to escape and slobber in a dream of wet summer night. My highest appreciation towards Bertien van Manen, who not only provides images on memory bubbles, but also her images help me to develop the initial script for this work."
Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).
A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.
Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the ground. A pre-cursor to their 'The Scaphoid Fracture' (2017) performance.
What begins as a spatially abstract, weightless situation transforms into a mediation of geography, culture, and history. Filmed transcontinentally between Singapore and The Netherlands, Control emphasizes the idiosyncratic texture of a common, fragmented consciousness.
A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."
"Inspired by my countless walks in the Middelpolder, the video mirrors my text ‘Dream of a Dutch Sky’, unfolding the Dutch landscape through three different perspectives: the camera’s , the protagonist’s and the plane’s, capturing a wanderer’s stroll."
"The river Lek reminded me of the river Xiang in my hometown Changsha. I had not been home for 3 years and one of the connections with home was the poems my dad wrote me every day via WeChat. The rivers seemed equally significant for the people in the Netherlands and in Changsha. They are both a romantic connection and an important symbol of daily trade and industry. In a Wechat session my father and I simultaneously read three pairs of poems we wrote for this occasion, he by the Xiang and I by the Lek. Giving the words to the waters that ultimately will meet somewhere in the ocean. The video shows fragments of the performance which took place at the same time in Changsha and Culemborg in June. The full-length documentation is presented as a dual-screen video installation. The three poems written by me can be found on the page "Writing"."
Aida Ra Mana invites you to explore a sci-fi universe set in the year 2044. In this imagined future, the story revolves around three aliens whose deep friendship unfolds in a world dominated by military rule and stringent restrictions. Through this work, Aida Ra Mana poses profound questions about resilience and the human spirit. How do we create joy and humor when faced with pervasive limitations and diminished opportunities? What does it mean to nurture friendship and creativity in an environment where one must constantly conceal their magic and beliefs from an authoritarian regime? By blending elements of science fiction with poignant social commentary, Aida Ra Mana's universe serves as a mirror to our own society's challenges and a testament to the enduring power of joy and laughter in the face of adversity.
A 'very intellectual' dirty talk on online sex work and a remix of 23-different-sources on the lookout for the answer to 'What happens to violence when you are not looking at it?' In this new work, EMIRHAKIN traces the parabola of performativity and gauges the unequal distances of labor in performance art and webcam performances from the focus point of body politics.
A poem about mania written by Omar Zefier. His second film.
Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.
A body lurchs through the university.
An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.
Inspired by the poetry of Robert Frost, this short primarily aims to capture the dynamic nature of the world around us; the ego and the id; the past and the present; everything that has, as of yet, diluted the course of life as we know it.
A silent experimental film, originally made in accompaniment to Josephine Zwaan's '1/4' album release presentation in 2016. The film sees musician Josephine Zwaan persist through a test of endurance, with the foundation of the film being a one-take of her staring deeply into the lens of the camera, haphazardly overlayed and re-framed by graphical elements color-matched to the album's artwork.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
An intimately raw and magical journey through the life, mind, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary, revealing letters, essays, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
The story of artist Lil Peep from his birth in Long Island and meteoric rise as a genre blending pop star & style icon, to his death due to an accidental opioid overdose in Arizona at just 21 years of age.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.
Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.