Painting Pain

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

Little Girl

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Camus, l'icône de la révolte

Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.

Lorena: Light-Footed Woman

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Un jour en France

A Life Like Any Other

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.

Inger Christensen - The cicadas exist

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

Camilo: The Long Road to Disobedience

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

When We Were Kings

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Home Again

Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.

CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Three cats

A man tells the story of his three cats.

Mémé

Stop for Bud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Pierre Clément, Cinéma et Révolution

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

The Last Days With Eliane

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.

Valomanden

Andreas Gabalier – 10 Jahre Volks-Rock'n'Roller: Das Portrait

The Ripple Effect

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

Jean-Marie Serreau, découvreur de théâtres