"The soil is fertile but the land is cursed"
As a Nairobi journalist probes a land battle entangling the local government and a powerful multinational corporation, covered wounds are revealed and family secrets are exposed.
Social & External
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Three intrepid women battle for Indigenous women's treaty rights.
The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.
This documentary film follows farmers and activists fighting together to stop the Indiana Enterprise Center, a mega-sized industrial park planned west of South Bend, Indiana
The film follows the 2023 raid by the Seoul Central District Prosecutors' Office on investigative outlet Newstapa. Director Kim Yongjin, its former head, traces a pattern of political prosecutions against critical journalists—from reports on Yoon Suk-yeol to Cho Kuk and Kim Keon-hee. Combining on-site footage, journalist testimonies, and legal records, the film reveals how special funds were used to pressure the media, silence dissent, and manipulate public opinion. It is a powerful reminder of the ongoing struggle to protect press freedom and democratic values in South Korea.
An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.
PUMP is a documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and explains clearly and simply how we can end it — and finally win choice at the pump. Today, oil is our only option for transportation-fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. PUMP shows how, through the use of a variety of replacement fuels, we will be able to fill up our cars — cheaper, cleaner and American made — and in the process create more jobs for a stronger, healthier economy. Narrated by Jason Bateman and featuring notable experts such as John Hofmeister former President of Shell Oil, and Elon Musk, the CEO of Tesla Motors, PUMP will forever change the way you think about your car — and the fuel that powers it.
This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.
In America, size matters. The bigger you are, the more power you have, especially in the business world. Anat Baron takes you on a no holds barred exploration of the U.S. beer industry that ultimately reveals the truth behind the label of your favorite beer. Told from an insider’s perspective, the film goes behind the scenes of the daily battles and all out wars that dominate the industry.
Fall Of The Republic documents how an offshore corporate cartel is bankrupting the US economy by design. Leaders are now declaring that world government has arrived and that the dollar will be replaced by a new global currency.
A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
A look behind the scenes of this 2022 presidential campaign. Between the secrets and all the information that escaped the general public, the behind-the-scenes campaign of Valérie Pécresse and Emmanuel Macron allow us to understand all the issues of this election and to discover these candidates.
Its hard to explain the full depth and breadth of the depravity of the pharmaceutical industry, the medical research industry, and the federal government. This film does a pretty good job. Hang on to your hat. The model for modern biological warfare was "discovered" during the conquest of the Americas and has been repeated over and over again.
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption.
Previously unreleased material outlines the campaign against Bill Clinton's presidency, from his days in Arkansas up to his impeachment trial.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.