"The cabins are all getting very old..."
Phyllis Bigler has been going to the Spanish Peaks of Colorado since she was a child. Now in her 90s, she tells her stories.
Social & External
Herself
Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.
Jazz, dreams, and hope. The protagonist of the film is Wiesław Mrzygłód, a musician and artist. He has an extraordinarily positive attitude to the world, life, and music. In the 1980s, together with the Old Dixieland Players, he played at the most important jazz events in Poland and Europe. Despite doctors' opinions, he says, "Someday, I will play again." He refuses to give up. The film was made using analog and combined techniques, based on drawing using oil pastels, prints, and re-filming methods.
A crew of backcountry skiers set out to explore Colorado’s lost ski areas in hopes to find adventure amongst the ruins. Instead, they discover the truth behind what made these areas close their doors for good and illustrates what skiing used to be like before mega resorts and climate change wreaked havoc on independently owned ski areas. Through heart-wrenching interviews with former owners, ski patrol, and historians, The Road West Traveled uncovers what it’s like to be a skier in Colorado's backcountry and what it means to go from lost to found.
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives—queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency. This is a film you can watch with your eyes closed.
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
A unique cinematic experience that invites audiences on a vibrant journey through the life of cultural icon Pharrell Williams. Told through the lens of LEGO® animation, turn up the volume on your imagination and witness the evolution of one of music's most innovative minds.
A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.
Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Award winning documentary filmmakers, Robin, Kathy and Shelly Beeck, with the help of filmmaker Michael Moore, have spent the last five years filming a 60-minute feature-length documentary on Bredo Morstoel, a Norweigan who was frozen by his grandson in 1983. Since then, the world famous...well...stiff has been lying under 800 pounds of dry ice in a TUFF SHED behind his grandsons' castle-like house in the 9000-ft Colorado ski town of Nederland. The grandson, Trygve Bauge, has long since been deported back to Norway, but Grandpa Bredo has remained, unwittingly becoming a worldwide symbol of the legal rights of the temporarily dead....
Three individuals find themselves in the same strange dream in which they are haunted by an evolutionary ghost. Together, they share in each others’ real and imagined lives through an experience that begins and ends in the middle.
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
Roads fall into the sea and a travelogue breaks against the landscape.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
'90s indie-rock band Pavement reunites for their sold-out 2022 tour. But as preparations get underway, surreal tributes emerge: an off-Broadway musical adaptation of their songs, a museum devoted entirely to the band’s legacy, and a shamelessly awards-baiting Hollywood biopic.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.