"If I must die, you must live."
An animated tribute to the text of "If I Must Die," the final poem written by Palestinian writer, scholar, activist, and martyr Dr. Refaat Al-Areer.
Social & External
Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.
In a seaside sanatorium, an old man sees his life turned upside by the arrival of a seagull that he gently tames. When the gull is injured, the old man takes care of it and for a moment finds his childhood soul.
Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.
A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.
Spain, 1932. Spanish filmmaker Luis Buñuel travels to the region of Las Hurdes, in Extremadura, where he shoots his third film, a very critical and later controversial documentary about the living conditions of the poor peasants, abandoned and forgotten by the national authorities.
A group of partygoers consider what awaits them after death.
"You gave me your mud and I turned it into gold". The Flowers of Evil, Charles Baudelaire
A family of giraffes on vacation, a forest animal race, and a zebra visiting the zoo! Short classic animal stories. Program of three short films from 2019: "Tout là-haut" by Martina Svojíková, 13' "Le dernier jour d'automne" by Marjolaine Perreten, 8' "Zibilla" by Isabelle Favez, 26'
Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.
In Layaly Badr’s documentary short, Road to Palestine, seven-year-old Layla – who has been badly injured in an air raid – lives in a refugee camp outside Palestine. Layla and her friends describe how they imagine Palestine, despite never having seen it.
A documentary about trans woman rapper and producer htmljones (Ishaani Ponniah), framed through the visual language of early-2000s television, 2010s internet aesthetics, and contemporary British culture.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.
1973, San Francisco. Charles Bukowski, underground poet and punk ahead of his time, reads his poem Love to a wild audience who've come to see the pulp writer's provocative performance. But that day, instead of a punk they find a broken man hungry for love.
