A Butoh dance performance filmed inside the derelict Battersea Power Station for the Channel 4 Arts magazine programme Alter Image.
Social & External
Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique visual experience featuring ingenious and playful imagery of dancers in their different spaces.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
Hania is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...
At a high school senior prom, a masked killer stalks four teenagers who were responsible for the accidental death of a classmate six years prior.
A heart-warming family film about one girl's dream of dancing in the lead and realizing the only way to do it, is believing that you can.
Joe Gower's job is skating through library shelves, fetching books. A police officer/friend of his is chosen to participate in a charity dance performance. Gower agrees to take his place in the show by posing as a police officer. He falls for a female officer in the show and gets into various scrapes with fellow cops and also crooks. And he dances.
After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appears to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.
After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.
Actor Cameron Monaghan makes his directorial debut with the short film Foxbody, a stylized thriller that embraces the dark aesthetics of neo-noir.
The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!
A tight-knit group of New York City street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world's best hip-hop dancers in a high-stakes showdown that will change their lives forever.
An American doctor encounters members of a voodoo cult when she is summoned to Jamaica to treat a wealthy man's brother.
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
After their getaway goes wrong, two bank robbers (sisters Connie and Sly) set off a nearby car alarm. The siren pulls them into a trance-like state, making them perform a wild, hypnotic dance around the vehicle.
Filmed in 1983, during the presentation of Peter Weiss' play at the Fred Barry theater at UQAM. This document exposes us to a play dealing with the Shoah, and its intention to present the medium of video as a specific language.
Witnessing the disparities and conflicts among a group of young adults, a clear-sighted 10-year-old boy triggers a series of musical, choreographic and culinary conversations. Drawing on the languages of music, narrative, dance and cinema, Beat explores the challenges of bringing together a diverse group of individuals without quashing their differences.
A documentary on the surviving syncretic pagan midwinter customs of the British Isles, focusing on nine ritual celebrations ranging from the Moray Firth in the north, the Somerset Levels in the south, Humberside in the east, and County Kerry in the west. Featuring music by the Albion Band and narration by John Tams.
Chance Harris looks to find a balance between his school, work, relationships and opportunity to perform at the nationally televised step competition during homecoming weekend at Truth University.