"A documentary about those affected by landmines"
Documentary that denounces the damages caused by the use of land mines in Western Sahara and shows the lives of those affected.
Stream
Social & External
10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.
In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.
Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.
Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
Two planes take off at the same time headed in opposite directions. Fatimetu and Ejehla. Two distinct lives destined to follow similar paths. One past desired, but fuzzy, and a future. One inheritance, becoming more and more fragile. “Heirs” gathers the testimony of different generations of women who live within and outside of the camps and paints a profile of the present situation in which these Sahrawi women live and the future they've inherited, living in an orphan-like territory separated from their homeland for more than 33 years…
Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.
Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.
Testimonies of a people enlisted on the path of independence. Records taken at refugee camps in Tindouf (Sahara Desert in southern Algeria) and Bir Lehlu (region liberated by the Polisario Front)
The film takes place in the Sahrawi refugee camps installed since 1975 near Tindouf, southwest Algeria. It takes us on a filmed investigation led by two anthropologists and their Sahrawi guide with families of martyrs and seriously wounded from the Sahara War (1975-1991). Throughout the encounters, the narrative evokes the story of a rehabilitation center for war-wounded people known to all under the enigmatic name of Al-Madrasa, "the school".
The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.
Republic of Finland is promoting clean technology by organizing Green Mining seminars where foreign experts tell us how the development of the world is becoming increasingly expensive by 2050. The Earth is running out of resources and mining companies have to use increasingly low-grade metal deposits. Finland aims to be a model country for environmentally friendly mining. Its pioneer project is Talvivaara, which uses new biotechnology to extract nickel, zinc and uranium. Through several charismatic characters, the documentary film The Land Of Mine follows the rise of the biggest nickel mine in Western Europe and the ensuing disasters whose effects continue to reverberate in the nation.
Waiting for the UN is a poetic documentary about life in the desert, literally and figuratively. We follow the everyday life of a Saharawi family from occupied Western Sahara, who have lived ”temporary” in a refugee camp in Algeria for over 40 years. Waiting for God and the UN, as the father puts it.
Filmed in the camps of Sahrawi refugees living in West-Algeria and Tifaritti (the liberated territory). The narrator, in his multiple interviews, examines the reality of these people who have been condemned to silence in exile. This is a direct and concise documentary that gives the refugees the opportunity to express themselves, as well as hearing from other people implicated in the conflict.
We're working on finding the perfect movies for you. Check back soon!