Social & External
Increase of chronic diseases, loss of biodiversity, extinction of bees... for a few years, the consequences of pesticides mass use are compelling public opinion. How to explain their effects on human health and biodiversity, whereas EU regulations forbid the spread of every harmful product ?
Twenty-five films from twenty-five European countries by twenty-five European directors.
After 40 years of conflict in Northern Ireland, the Good Friday agreement ushered in a period of relative peace and stability in the northwest corner of Europe. But the unintended consequences of the UK leaving the European Union have threatened to reignite a sectarian fire that many thought had been extinguished long ago. This film takes the audience on a journey to both sides of the Irish Sea to explore the social, political, and economic impact of Brexit on Northern Ireland.
A Cow at My Table explores Western attitudes towards farm animals and meat, and the intense battle between animal advocates and the meat industry to influence the consumer's mind. Five years in production took Director Jennifer Abbott across Canada, the US, Australia and New Zealand to meet with the leaders of the animal rights movement, animal welfare advocates as well as spokespeople from livestock industries. A Cow at My Table inter-cuts these diverse perspectives with archival films, images from modern-day agribusiness and footage of farm animals shot from uncharacteristic vantage points.
Sheds light on an alternative approach to farming called “regenerative agriculture” that could balance our climate, replenish our vast water supplies, and feed the world.
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of the Irish border in a short film written by Clare Dwyer Hogg.
Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.
Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.
This documentary follows Danish prime minister Anders Fogn Rasmussen in the fall of 2002, during Denmark's Presidency of the Council of the European Union. He negotiates the expansion of the EU in Eastern Europe.
Follows the lead up to the selection of the European Council's first President.
‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.
The film explores the link between our treatment of animals and emerging health threats such as pandemics and antibiotic resistance. It specifically looks at zoonotic diseases—germs and viruses that spread between human and non-human animals—which threaten the health and lives of the entire human population.
A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.
Although set in the southern Netherlands and Belgium, the story draws from murders that began in Moscow Oblast, Russia, in 2014. Fedorov, a young man of Russian descent orphaned and raised by his uncle, graduated from a technical university near The Hague but, afflicted by worsening somatic symptoms, failed to secure work. Returning to Russia under sanctions seemed impossible. He wandered the streets, smoking cannabis and throwing stones at drunks. Within this self-made prison he met Helena, a Flemish girl, on an online forum. She lured him into smuggling soap and chemicals to the black market in Liège. The next month he met Helena and two female accomplices at Liège-Guillemins Station. Yet at their suburban hideout—an abandoned factory—he was forced into his first murder and dismemberment. Only then did he realise he had entered their abyss of crime, irrevocably damned. Where will their fates turn in the next manipulative, large-scale ensemble sequence?
