20th Century Girl

In 1999, a teen girl keeps close tabs on a boy in school on behalf of her deeply smitten best friend – then she gets swept up in a love story of her own.

Changeling

Los Angeles, 1928. When single mother Christine Collins leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son. But when Christine suspects that the boy returned to her isn't her child, her quest for truth exposes a world of corruption.

House of Ricordi

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Aban

Under constant pressure from her ex-husband, Nazanin should turn their child - Aban, nine years old - away from a very driven feminine taste. One day, Aban goes to the hospital thinking of undergoing life-changing surgery.

Maledictis

During the anti-communist uprisings of the late 1950s, a writer of comedic poems against socialism was constantly pursued by Securitate troops.

Talking To My Mother

A young Asian American man struggles for both personal happiness and the love of his mother.

David Copperfield

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

Aparajito

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

The Perfect Storm

In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail.

Mr. Holland's Opus

In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.

Black Sheep

Anwar: The Untold Story

It follows the story of Anwar's fight against corruption while in government between the years of 1993 and 1998, which led to his eventual imprisonment and the birth of the reformasi movement.

Loulou

Loulou is 13 years old. He returns from his training and finds the house empty. He enters his parents’ bedroom and opens his mother’s cupboards...

The Planets

Based on the famous Gustav Holst musical suite, this musical film takes watchers on a magnificent journey of the planets of the Solar System.

Futureless Things

The various faces of youth and people in an enclosed space of a convenience store for 12 hours.

The Iron Giant

In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.

American Fiction

A novelist fed up with the establishment profiting from "Black" entertainment uses a pen name to write a book that propels him into the heart of hypocrisy and the madness he claims to disdain.

Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

András Schiff plays Bach

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971

Beethoven: Piano Concertos 1-5 - Uchida, Rattle

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.