"Jens Ramos vision of a regular day in a cats life."
A black cat is enjoying and living his day.
Social & External
"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.
Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Repetition, repetition, repetition…
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.
A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.
While walking his dog, Eric bumps into the confident and carefree Ryan. Taking a nervous leap, Eric accepts Ryan’s invitation to walk through the city en route to a concert. In the next six blocks, the two men discover that intimacy through anonymity also exposes one another’s flaws and insecurities. Will they make it to the concert in one piece?
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Fragile in Love is an experimental short that rebels against the suppression of electronic music culture and gay house parties.
Ray discovers his La-Z-Boy recliner is a one-minute time machine. Will he learn from his mistakes or is he destined to repeat them forever?
Karen is resigned to a life of suburban ennui, the dreams of her youth a distant memory. On an autumn afternoon as she struggles to get her baby to sleep she is disturbed by a door-to-door Salesman. Desperate for adult companionship she engages with the enigmatic Salesman. He claims that he can sell her something that will radically change her life; he offers Karen, an opportunity to fulfill her long forgotten dreams and ambitions.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.
In coming to grips with previously well-concealed information about the death of her uncle in World War I, and the emotional upheaval it continues to cause her family, a young girl begins to question the benevolence of God and the order in God's world. Based on the short story by Margaret Laurence.
A Bassist students day is not going well.
Lucille (Linnea Quigley) is murdered by crime boss Severin (Jim O'Rear) and his thugs, goes to hell and returns five years later as a demon / zombie to get her revenge.
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
Taiwanese fantasy film from Yu Han-Hsiang, director of REVENGE OF THE SHAOLIN KID (1978), BURNING OF THE RED LOTUS MONASTERY (1982) and THE DWARF SORCERER (1974)
A story of a Jewish-Hungarian-Serbian family. The plot is centered about trying of an adult son to reconstruct his childhood dream of and memories. Looms, but a sunken world, the central European town with its figures, the way to experiencing deep and see a sensitive boy, his father, who by their fears that penetrate to the bone and the final humiliation of acting madness escapes and becomes a lonely, pathetic buffoon in the drama of life.
Fleeing an abusive relationship, Mila, a teen prostitute, finds herself in a border town, pregnant, alone, and, to her surprise, welcome. The remote village is on a marijuana plantation run by a group of elderly men and women. Not having known much kindness, she goes into emotional hiding, but by the time the baby is born she has a new life and love. Her past, however, is not far behind
A gang of four eyed crooks led by Kurt Bishop are ripping off top dollar computer chips from a list of factories. The night they hit Dynaphase Systems, two dirty employees are staying late using company resources to develop their own plans for a security microchip worth millions of dollars. Psychopathic Bishop raids the Dynaphase facility and downloads the mainframe before the employees have a chance to completely erase their work from it. When Bishop discovers the value of the stolen, but partially erased information, he sets out after the rest of the chip design, letting nothing stand in his way.
"I'm gay, I'm a fag, I'm proud and I really love sex."
Documentary about the making of the 1980 German television series.
An orphan raised by organized crime attempts to overthrow his crime syndicate's leader with the help of a woman.
A young boy has just moved to America from a foreign country with his mother. He tries to adjust to his new life, specifically in his school. He goes to an American school, and he's the only foreigner in his class. The only English phrase he knows is "No Problem," which he picked up from a cartoon show.
Two go-go dancers, Lulu and Peaches, are framed for the murder of their employer by the real killer, sleazy gangster Vinnie. Picking up waitress Darlene along the way, the three are involved in wild car chases with cops as they head south to cross the border into Mexico, where they unexpectedly encounter Vinnie in a fleabag Mexican motel.
A would-be publican decides to set up shop on a remote island with a flat-pack DIY pub, but encounters more competition than he bargained for.
A young emerald miner is in love with a girl but doesn't ask her to marry him because he cannot support her financially.
HE and SHE meet exactly at the same time they break up with their own couples... Is it possible for two strangers to begin a conversation full of recriminations, arguing until they get hoarse, and passionately reconcile as if they were a couple in the end?
Documentary exploring the aftermath of a car crash. As stories change and conflicting testimonies emerge, police must unpick the mystery of what really went on.
Aldar Kose is not a name, but a nickname. Aldar means deceiver, Kos - beardless. And what was the name of this man in fact, and whether he lived at all, no one will say for sure. But in every Kazakh village, in every yurt in the mountainous Dzhailau, they talk about Aldar Kos as their good friend. He tells about him in different ways, but everything converges on the fact that he was poor and kind, hated the oppressors of the people, fought against injustice and helped the offended... Like a tumbleweed bush, Aldar Koshe, who was forever wandering through the boundless Kazakh steppes, once met a beautiful woman and fell in love with her. But the girl loves another — a brave, honest and kind poor man, herding the herds of a rich man.