Savannah-based artist Jerome Meadows reflects on his creative process and deep connection to his community through work confronting racial inequality and celebrating cultural resilience.
Social & External
Self
Explore the near half-century career of the legendary comic book artist and writer. Made for his fans following a near death experience, the documentary delves into Miller's radical and defining influence on art, storytelling and culture. Following his small town beginnings in Vermont, to New York City, Hollywood, and beyond; this intimate documentary delves into his failures, successes, self-destruction and re-discovery.
A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power.
While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.
Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.
Two friends, one Black and one white, journey to their Southern ancestral homes, exploring reparations' meaning. Their travels uncover opportunities that transform their bond, communities, reclaiming and reckoning with their roots.
This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.
A RECORD OF THE STRIKE AT GRUNWICK IN 1977. The story of the continuing struggle at Grunwick’s by mainly Indian workers, from July 11th, 1977 until the struggle was lost. It shows the Special Patrol Group attack on the November 7th day of action, how the leadership of the struggle was taken out of the hands of the strike committee, how some of the strike leaders were disciplined by their own union for going on hunger strike outside the TUC in protest at the TUC’s inactivity, and how the post office workers were forced by their union to end their blacking of Grunwick mail. It also shows the beginnings of the similar struggle by immigrant workers at Garner’s Steak Houses in London.
'Stand together!', a film on the "mass day of solidarity" on 11 July 1977, was made in 1977 for the Grunwick Strike Committee by the Newsreel Collective, of which Chris Thomas was a member, and members of the Association of Cinematograph, Television and Allied Technicians (ACTT) and the Transport and General Workers' Union.
Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
Filmmaker Warren Harrison captures the memories and experiences of people who grew up as part of a unique community at Greatham Creek, a salt-marsh near Hartlepool in the Tees Valley. One of those who’s memories are recorded is photographer Ian Macdonald whose haunting images of the creek are used in the film along with family photographs, archive film provided by the North East Film Archive and contemporary footage.
A film about and with Max Ernst.
Nine artisans on secluded Gabriola Island reveal the differences between mass manufactured and authentic locally handmade through intimate portraits of their work and lifestyle.
Ten years ago, Volodymyr Zelensky was just one of the many faces on Ukrainian television screens. He became a star thanks to the 2015 satirical series Servant of the People, in which he played a history teacher who becomes president. Four years later, what began as fiction became a reality. This French documentary follows the transformation of a popular TV comedian into a statesman on the front lines of the Russian invasion. Archival footage, family photos, television appearances, and interviews with Zelensky and those closest to him create a multi-layered portrait of a man who always longed for a large audience. At the same time, the film places his personal development in the broader context of post-Soviet Ukraine, which is also searching for its own identity.
A profile documentary about selfless Jacksonville public courts manager and tennis coach Harrell Thomas, who loves his job and works hard to make a difference in his community.
