Social & External
IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.
A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.
In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.
Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.
With more than 300 days a year, the sun dominates this country so much that it’s even shining from their flag. It’s a barren land, sometimes it’s like it’s from another planet but still familiar. It is land of contrasts and colours with wide landscapes and fascinating deserts. Influenced by various cultures during colonization and now reborn from the shadows of Apartheid in 1990, Namibia gives a beautiful collage of culture, language, art, music and food. Everyone who loves an adventure should travel to Namibia, the precious corner of our world full of incredible natural wonders. The experience of endless landscapes and an unparalleled blaze of colour make Namibia unforgettable. NAMIBIA – THE SPIRIT OF WILDERNESS invites you on a trip whose fascination will never let you go: From the Namib Desert over the breath-taking Fish River Canyon to the spectacular Etosha National Park where you will see wild elephants, antelopes, giraffes, zebras and lions.
Iceland's first non-narrative full-feature film's focus is set on presenting Iceland in a way it has never been presented before, using various elements of high-end cinematography. There are places everyone knows, but there are also thousands of well hidden places. To find these locations one has to be adventurous or a local, and to capture them right, one has to be creative and extremely patient.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
Oscar-nominated director Fridrik Thor Fridriksson and co-director Bergur Bernburg helm this lovely documentary portrait of influential Icelandic landscape painter Georg Gudni.
Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.
Biosphere is a groundbreaking non narrative documentary filmed in 4K around the globe in remote areas and dense cities showcasing our planet and its inhabitants in their daily lives.
Two decades on from Cinema of Unease, Tim Wong’s essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in Aotearoa. Now streaming for free at: films.lumiere.net.nz
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
A journey into time, landscape and consciousness: The Southwestern United States in the black-and-white moving images and unsettling instrumental music. Entropy of the American dream.
Luminous traces obtained through in-camera optical manipulation of nocturnal imagery.
Architect Todd Saunders’s buildings on Fogo Island, Newfoundland embrace the excitement of being on the edge of nature and contemporary design while fulfilling the goal of doing ‘new things with old ways’. Saunders and commissioner, Zita Cobb, provide a personal account of the ideas and traditions that inspire this bold and socially ambitious architectural venture. Gorgeously photographed over the Island’s seven seasons, the film is a flowing, visual narrative that unfolds over time as the principal stage of the project, the Fogo Island Inn, approaches completion.
In 200,000 years of existence, man has upset the balance on which the Earth had lived for 4 billion years. Global warming, resource depletion, species extinction: man has endangered his own home. But it is too late to be pessimistic: humanity has barely ten years left to reverse the trend, become aware of its excessive exploitation of the Earth's riches, and change its consumption pattern.
