Social & External
Musa
This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.
The plan of a rich criminal to avoid a trial by expatriating involves many characters.
Matteo is pressured into the family business when he fails his exams. Out for his 18th birthday, he struggles to choose between his family responsibilities and his adolescent friendships, culminating in an act of violence.
On the Pacific coast of Los Angeles, Ali and Yaffa struggle to remember the Arab Mediterranean cities they have left behind.
Halit Berati, a virtuoso clarinet player, is invited by the Italians to record his music, which is to be sold along Italian records.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
A rising Boston gangster (Ben Barnes) endangers those around him when he starts to make moves without the knowledge of his boss (Harvey Keitel).
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
Claudia and Anna join Anna's lover, Sandro, on a boat trip to a remote volcanic island. When Anna goes missing, a search is launched. In the meantime, Sandro and Claudia become involved in a romance despite Anna's disappearance, though the relationship suffers from guilt and tension.
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
Christian, well-off of a certain age, lives alone in a house between the moors and the sea on the Sardinian coast, she loved dearly by Ghiana, a peasant married. The arrival in the farmhouse near the young and charming Sara, who takes care of the mentally ill husband, upsets the life of Christian and his relationship with Ghiana, arousing in him love and anguish.
