Social & External
Mia
Two guys coming up together for an idea for a short films
11-year-old Leo has to deal with her depressive father while secretly falling in love with her best friend Isabell. Slowly she realizes that she deserves to be free despite her father's illness.
In the midst of a deadly outbreak, a man returns home in search of family.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
18-year-old Mark wakes up in a parallel world where no one knows who he is - not his family, friends or girlfriend - and discovers that he and all the people he loves will soon die a painful death.
Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
A resourcefull working-class woman living in Madrid gets her hands dirty in family secrets with the help of a teenage daughter and hairdresser sister.
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Olia and Zina are sisters. Olia has a husband and children. Zina has a parrot and a cat. Olia moved to Germany, she couldn’t handle her mother who was dying of terminal illness. Zina has left her art career and dedicated herself to mother. Both of the women suffer from insults, innuendos, and self-reproaches. They’re parted by borders and social status. But there’s still something that urges them to arrange a meeting, even if a meeting is going to be virtual. And there’s still something that saves them from tragedy that is about to occur during their meetings.
Being scolded while playing, three children plot small revenge on an old lady. A decision they regret later.
Pierre is a very shy man in his sixties, with no family or friends and who just retired. What will he do now?
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
A young boy's life is changed by a chance encounter with an out-of-luck musician. When a gang of local criminals turns up, the day takes an unexpected turn.
A teenager's perspective of the world around her begins to shift as she is confronted with its capacity for injustice.
A movie about looking for the main substance.
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
