Social & External
Documentary about the life and work of the architect Paulo Mendes da Rocha, told by him in prominence for Joana, his daughter. With more than 80 years of age, Paulo Mendes is today one of the most important and renowned architects in the world, but, above all, he is a thinker who has controversial ideas and opinions about urbanism, nature, humanity, art and technique deserve to be heard. In a constant dialogue between interviewee / father and interviewer / daughter, Joana is the guiding thread of the film. As in all personal relationships, especially between parents and children, the thread that leads is also that which is conducted.
The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.
Documentary about the architecture of the Swedish housing boom in the 1960s and how it's viewed today.
Mozambique 1974 - the European name of the capital Lourenço Marques was deleted and replaced by Maputo. Between the delicacy and the apocalyptic, Brisa Solar reveals the little secrets of an African city that was born from a modernist dream, which led a revolution and which today sees its cultural heritage and threatened by Chinese capitalism.
No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
Tadao Ando, a self-taught architect, proposes an international architecture that he believes can only be conceived by someone Japanese. His architecture mixes Piranesian drama with contemplative spaces in urban complexes, residences and chapels. This film presents the formative years of his impressive career before he embarked on projects in Europe and the United States.
Mothers, architects, artists, shoppers and other women who live and work in Birmingham explore the contradictions of the city, its promises, frustrations and disappointments, and suggest that listening to the experiences of women may hold the answer to the impoverished 'concrete jungle' so familiar today.
A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.
In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
Tracing the history of blue jeans around the globe.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.
Aalto is one of the greatest names in modern architecture and design, Aino and Alvar Aalto gave their signature to iconic Scandic design. The first cinematic portrait of their life love story is an enchanting journey of their creations and influence around the world.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
Ninety-year-old sound artist and comedian Henry “Sandy” Jacobs lives a quirky existence at the end of Sunnyside Drive, a steep and winding dirt road washed by fog from the Pacific Ocean. Sixty feet down the hill lives his eccentric 84-year-old friend and neighbor, architect and former Frank Lloyd Wright collaborator Daniel Liebermann. These extraordinary old men, influential artists in the 1950s and ’60s, continue, each in their own way, to search the world for perfection. Sunnyside takes us to an extraordinary place, a microcosm with its own distinctive rhythm and remarkable inhabitants. It is a film about creativity, the capacity to dream and, ultimately, the transience of life.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
