"'. . . she turned a shack into a spiritual place . . .'"
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.
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Himself
In 1970, Christian Ghazi and Noureddine Chatti met with a number of Arab political figures, especially Palestinians residing in Lebanon, resulting in this piece of armed (alternative or third) cinema that captures a crucial cross-section of the Palestinian resistance in Lebanon in 1970. The film features footage of Ghassan Kanafani, Sadiq Jalal El-Azm, Nabil Shaath and other personalities who share their vision of the Palestinian revolution, tracing its history back to the early 20th century. These testimonies describe the numerous strikes and popular protests that took place in Palestine under the Ottoman occupation, followed by the British colonization and the settlement of the Jewish state in 1948. They enumerate the objectives of the struggle, emphasising the necessity for a free and democratic Palestine, defended through armed or non-armed struggle by all its citizens, men and women of various affiliations.
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
"Get a never-before-seen look behind the scenes of the making of the sexy and swinging sci-fi Cult classic, Barbarella, in Barbarella Forever. In Barbarella, sixties icon Jane Fonda starred as the saucy astronaut from the 41st century sent to stop an evil scientist and Barbarella Forever features footage of Fonda at work and play during shooting. Gain an insight into the creation of the film’s legendary hand-to-hand sex scene, as well as Fonda and co-star David Hemmings’ processes and working relationship, plus, an insight into the film’s suave French director Roger Vadim. This candid featurette is a snapshot of on and off-set life in groovy 1967 and an unforgettable time capsule capturing a film, and way of filmmaking, that they don’t make like this anymore!"
A filmmaker embarks on a global adventure to uncover the viral fascination of the capybara, including exploring how they have become cultural symbols of serenity in Japan.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
A feature-length retrospective documentary on the making of “What Lies Beneath.”
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.
Romantic art was a response to the social upheavals of the 19th century, as shown by works by its emblematic painters Friedrich, Venetsianov and Delacroix.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
May 2, 2024. Amidst big names from São Paulo's drag scene, a young filmmaker dives into the experience of becoming a drag queen for one night.
Salvia Divinorum is an often misunderstood and powerful psychedelic plant used by the Mazatec shamans in southern Mexico for centuries. This entheogen's mysteries are thoroughly explored, by Director Erin Wyche, from an American view point.
Two friends dreaming.
Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.