This is: Ballroom

Legendary

An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.

We Vogue

Ballroom voguing has fiercely swept across the world becoming a global phenomenon. Against the backdrop of Spain's contemporary ballroom scene, Jayce and a growing group of Black trans folks have emerged to reclaim the space.

Vanity

Madonna: MDNA World Tour

The MDNA Tour was the ninth concert tour by Madonna. Madonna had embarked on The MDNA Tour for promotion of her twelfth studio album MDNA. The performances at the American Airlines Arena in Miami, Florida during the North American leg of The MDNA Tour were documented for video release. Madonna described the tour as "the journey of a soul from darkness to light". The tour was a commercial success although it courted a number of controversies. It was dubbed as the highest-grossing tour of 2012 by Billboard. Become the tenth highest-grossing tour of all time and overcome Celine Dion's Taking Chances Tour as the second highest-grossing tour among female artists, behind Madonna's own Sticky & Sweet Tour.

Basquete das excluídas

Originating in Curitiba in 2013 and spreading to Portugal, Spain, Mexico and Brazil, “Basket das Excluídas” consists of an LGBTQIA+ group gathering to play basketball on a public court in the city. They vogue and resist with their bodies around the city, challenging norms and celebrating diversity while engaging in a game that expresses identity and a form of resistance.

The Alexander Ball

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Bailando al Margen: Vogue, Waack y el arte de la expresión.

10s Across Viçosa - Um documentário sobre a cena ballroom na Zona da Mata Mineira

A documentary exploring the vibrant ballroom scene in Viçosa, Minas Gerais. Through the lives of local performers, it highlights how queer, trans, and non-binary communities create spaces of self-expression, creativity, and resilience. The film captures the energy of balls, the art of voguing, and the deep sense of community, while also examining the challenges participants face in a society that often marginalizes them. By documenting this unique subculture, the film celebrates LGBTQ+ identity, pride, and the transformative power of performance in shaping belonging and visibility.

and hold that pose for us

A look into the rising underground vogue scene of Brasília

10s Across Viçosa - Um documentário sobre a cena ballroom na Zona da Mata Mineira

Sol de Mandacaru

Shall We Dance?

A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.

Transplant

A celebration of the west coast Ballroom Scene.

Roseland

"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York City dance palace, and all having the same theme: finding the right dance partner.

Life After Paris is Burning

Stuttgart Shanghai

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

Janine F.

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

Billy Paul Live In Europe

Live in Europe is an album by soul singer Billy Paul. The album was produced by Bobby Martin and arranged by Billy Paul and Caldwell McMillan. It was recorded at Hammersmith Odeon, London and Central Hall, Chatham, England in December 1973. Released in 1974, this album reached #10 on the Billboard Soul Album chart and #187 on the Billboard Pop album chart.