Social & External
Renata Putri
Rio Putra
Aqmal
Clara
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
While teenagers John and Tom, who live in a refugee camp in Guinea Conakry, go from housebreaking to robbery in order to survive, Satou, similarly to many other destitute young women, turns to the streets. Things go from bad to worse and Tom - soon followed by John - gets stuck in a downward spiral of extreme violence. Will Mémé their grandmother and also a refugee, be able to save them?
Reflections in a surrealist tone about the art of cinema.
During the evacuation of British troops from Dunkirk in 1940, a young woman takes her motorboat to join the flotilla to rescue soldiers and also to search for her husband, a British soldier who was fighting in France and who may be among the troops waiting to be rescued.
Mario and Kike hook up on a dating app. What initially was never meant to be more than a sex date will turn into something else, in spite of their different ways of viewing their bisexuality and how they both cope with it in their respective social circles.
When Sam, a woman mired in regret, goes to visit her aged parents, the disappearance of her mother's pet bird threatens to unravel her tenuous hold on life.
A young actor faces success, unexpected love, and moral dilemmas that will alter his life forever during a therapy session.
A young dancer from a small town in rural Oregon becomes infatuated with an older western writer — she confuses this reflection of her own greatness, as love.
The plot of the film takes place in a foreign company located in southern Serbia. The warehouse manager enjoys his free weekend, which is interrupted by a warehouse worker who invites him to come to the warehouse in order to have a serious conversation with a new client from London. The manager had no idea what had happened there and what is yet to happen in the warehouse.
The scattered families gather and visit their mother.
Summer vacation of the last year of high school, Yu-na and He-yoon go to Incheon, deceiving their parents to go to a rock festival. However, the concert which they want to see is postponed until the following day. They have no choice but to book tickets for tomorrow and decide to spend one more day in Incheon. The next day, the tickets that Yu-na definitely held in her hand the previous day disappear. He-yoon contacts her cousin to borrow money…
A man who can't even grasp his reality and just flirt with it. a woman who struggles gently to marry him. Why, on earth, is she obsessed with him?
Han-sung runs into his ex-girlfriend Soo-young after taking a year off from university. Unfortunately she has a new boyfriend Se-won, who is a director of a graduation film which Han-sung is supporting.
A Colombian woman arrives at a French airport, she acts suspiciously and appears to be concealing something in her locked case. However a search of her bags and her body reveal something customs didn't expect.
Three siblings return to their hometown for the funeral of their beloved uncle Bernard with one hope - to get through the day without any mention of their estranged mother.
The events in the film take place in a remote place, far from the modern city and civilization, where the real and the unreal worlds meet. There, mysticism and reality are so intertwined that all kinds of miracles are expected. The people there live by their own unwritten laws. The punishments given to those who violate them are also completely different.
A traditional wedding procession walks along a narrow street towards the home of the bride. Guests and family members are waiting inside the home on this big day, as they listen to prayers from the loudspeakers. The bride, Putri, is getting ready inside her bedroom while her mother is helping with the final touches of her hair and makeup. Tender and frank conversations about marriage are shared between mother and daughter in that intimate space, before Putri leaves to begin a new life with her husband.
A young filmmaker has just unsatisfyingly captured the last shot for her film. While the crew encourages her to celebrate, she fears that the battle has just begun. Thankfully, she knows that worrying is never the answer. Instead, she turns to a traditional, evil-warding, garland-scattering ritual to direct all misfortune away from her film.
