Dresden Oktober '89

Unser Fliegerkosmonaut

Sigmund Jähn, (East) Germany's first man in space, and the preparations for the space flight are portrayed.

Keiner wird als Held geboren

Heroes from the GDR's past are presented. Heroes will also be needed in the future.

Multiple Man

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.

Ava

H.P. Lovecraft - Ipotesi di un viaggio in Italia

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

Manzanar

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

Beyond Oil

Documentary on industrial lubrification.

Sarajevo Film Festival

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

Grand Prix: Challenge of the Champions

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

Bliss

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

To Be or Not to Be: Klingons and Shakespeare

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Seevögel von Galapagos - Bewegungsweisen als Ernährungsstrategie

The flight and feeding customs of the most important sea bird species of the Galapagos Islands are described. Some characteristic body and wing measurements are used to describe the flight of these species. The species which are able to forage furthest out at sea and deepest in the water are the most successfull on the Galapagos Islands, measured by their abundance. The least abundant bird is the lava-gull, a shore bird and surface-feeder.

Otamaniki

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

Good Grief

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

Minuta ticha

Lockedout

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.