Kokuhaku

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

Le visiteur

The Tales of Hoffman - National Opera Company (INBAL)

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Ghostlight

When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.

Edipo Re

The Tales of Hoffmann - Teatro Regio di Parma, 1988

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Billy the Kid

Michael Morpurgo's heart warming story of a champion Chelsea footballer set against the backdrop of the Second World War.

The Seagull

Nina, a young actress who finds herself in an emotional turmoil during her opening night, struggles with a rehearsal that challenges her limits.

The Stage

Reinventing Marvin

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

By Fire

Anya is a wide-eyed uncorrupted understudy who has to replace the actress she idealises in the role of Medea, as she navigates within a morally distorted theatre company.

McQueen

Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker

National Theatre Live: Vanya

Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.

National Theatre Live: Edward Albee's Who's Afraid of Virginia Woolf?

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Teach Me How to Cry

Unable to tap into his emotions on stage, a middle-aged struggling actor is given one last chance to prove himself, and in turn, takes a class with an acting coach who promises to transform his performance.

A Film in the Theatre

Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.

Investigations of a Breakup

Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night... Did she let her in or was she destined to burn it all? The aftermath of their breakup is explored through three different angles.

Frankenstein

Dr Frankenstein obsesses over his creation in Blackeyed Theatre’s adaptation of Mary Shelley’s masterpiece, in which The Creature is brought to life through puppetry. Captured live at Wilde Theatre, Bracknell, in 2022, this production features ensemble storytelling, multi-roling and live music and explores themes of revenge, prejudice and ambition.

Ramsès II

The Other Place

Two sisters reunite on the anniversary of the death of their father. Their uncle has remodelled their family home, in an attempt at a fresh start. But one sister’s sudden reappearance threatens to shatter this fragile idyll as she demands justice for the pain she carries.Amid the debris and the new extension, guilt, grief and greed battle it out in the family’s competing dreams of their future. When we are faced with the suffering of others, even those closest to us, can we look away?