"A search for the speed of light"
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
Social & External
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
A trip on the Swedish lake Mälaren by a 115-year-old steamboat. The journey between Stockholm and Mariefred takes 3,5 hours. The steamboat Mariefred was manufactured over a hundred years ago and is one of the last steam-powered vessels on the lake. The steam whistle sounds when Maja, as she is called in Mariefred, steers into the bay towards the small town. A fanfare for the summer!
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
In a retirement home in a small town surrounded by mountains, the daily lives of the people who live there alternate. Them inside, the world outside. An imbalance that manifests itself in "Pucundrìa", an indefinable feeling of melancholy, boredom and perennial dissatisfaction, which leads to an unconscious resignation for what has not been, is not and can never be.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
A contemplation of life.
Follows homeless, addicted and alienated Greenlandic women in Copenhagen, Denmark; includes fragments of Greenlandic culture.
Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
With a dad incarcerated for murder, a mom on drugs and a childhood in foster care, Charell knew it was time to break the cycle.
This film documents the yearly cycle of the great blue heron, its migration from Central America and the West Indies to the St. Lawrence River in Québec, and the breeding and rearing of its young. Outstanding footage shot by the filmmaker perched high in a tree affords close-ups of the birds' intricate courtship rituals. A sensitive, beautifully photographed nature film with much to tell us of ecology and wildlife.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.
A short filmed in Brasil (Brazil). The short showcases the Brazilian state of Minas Gerais, mainly the country side.
Short film about aggressive driving
Cast and crew discuss how a no-budget slasher movie became an international sensation. Produced for the "Friday the 13th" DVD.
This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.
At a wildlife rehabilitation center in the Pacific Northwest, the steady, practiced, and gentle hands of veterinarians nurse dozens of convalescing animals back to health.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A look behind the lens of Christopher Nolan's space epic.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.
Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?