Experimental short film of colors and lights. Silence.
Social & External
The 1969 educational film *Guessing Game*, produced by the Encyclopaedia Britannica Educational Corporation, uses a split-screen technique to engage viewers. One side of the screen features pantomimists or children miming activities involving various objects, while the other side reveals the object being described. The film serves as an interactive and entertaining way to encourage observation and guessing skills.
After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.
Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.
What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.
It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Night vs. light, music vs. motion, figuration vs. abstraction. Experimental video artist Max Hattler utilises distorted urban imagery and neon glare to create this entrancing short
During his visit to a graveyard, a young man is suddenly projected into a dream-like realm. Empty and removed from time, the familiar landscape forces him to confront certain pains when blood suddenly effuses from his hands.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
A twisted and macabre film by Mróz-Raynoch, which explores an exhibition where the guests are as grotesque as the exhibits (stylistically akin to Gerald Scarfe’s horrifically distorted caricatures).
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
A description of some parts of the world - explored, visited, documented, imagined. An abstract attempt at finding them again. The title refers to geographer and civil servant of the Republic of Venice Giovanni Battista Ramusio (1485-1557).
Knight explores the millions of layers that make up the internet and its resultant complexity. He sought to create a sense of 'things within things and layers within layers,' nodding to the multiple portals one has to navigate and find to enter the deep web.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.
