Mother Meryem is the last Christian in a village where Muslims and Christians lived together for many years. One day she dies, and the Muslim villagers have different ideas about how to bury Virgin Mary.
Social & External
Mehmet
Necmi
İmam
The film tells the story of Abdullah, who is unjustly arrested. With Egypt coming under British rule, cultural and religious changes begin to take place in the country. The gradual assimilation of the people into British culture deeply affects Minyeli Abdullah, who is devoted to his traditions. Abdullah organizes religious discussions in his home and teaches people about Islam. One of his neighbors accuses Abdullah of forming an organization and reports him to the police. Abdullah is arrested during a raid on his home. After Abdullah is imprisoned, his wife Sevde goes to her father's house. Under pressure from her family, she divorces her husband. Abdullah, who is accused of opposing the government, continues his discussions in prison. The police chief, who is disturbed by this situation, tries every means possible to have Abdullah executed.
A Brazilian actress goes to NYC to pursue her dreams while waiting for her boyfriend that stayed in Brazil. They only speak trough video messages. But since every journey moves forward, we witness how the change of plans affects her - and also her acting. She leaves the 'selfie mode of living' and turns within herself.
In this raw and graceful testimony of intersectional womanhood, a trans girl has to care for her Italian grandmother. She assumes that her Nonna disapproves of her - but instead discovers a tender bond in their shared vulnerability.
Are you curious about Minnesota's #3 public-access painting show? Painting with Joan is coming to the Sundance Film Festival! Watch Joan paint beautiful snowy mountains and debate extraterrestrial sexuality with herself!
Castuera, Spain, April 1939. During the night two Falangist Guards appear at the door of the house where Paz is taking refuge with her family. They request her presence at the police station. Paz immediately understands the fatality of this visit. With no chance to escape, she asks to breastfeed her newborn daughter one last time.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
He danced for fame. She danced through pain. For old times' sake and to new beginnings . . . in a fleeting moment.
The little dog Nero looks around inquisitively in a world that is still somewhat foreign to him. He doesn't really know who or what he is and wants to have everything he admires in others. Only when the fox intrudes does Nero come to his senses.
During a routine visit to an acquaintance, an old, single Sorbian woman reflects on her life.
Helen, an introvert, attempts to spice up her sex life with her partner Jeff by sending nudes while she waits for the subway home. Her simultaneous encounter with a clown catapults her night in a direction she never saw coming. What enfolds is a bizarre commute from hell. Or is it?
Comedic sketch featuring actor Erkin Ergin, exploring humorous or dramatic situations arising from cohabiting with a mother-in-law during a quarantine period.
A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.
The year is 1995. It knocks on the door of 'Greedy Arne' Nyman's dilapidated house. It is Death who has come to take him. Greedy Arne is not worried of Death, he is more afraid of door-to-door sellers, but first he has something vital to deal with. It will be the beginning of a walk with Death by his side, which continues in an old rusty Volvo 240.
A drag queen protects a child during a crisis as prejudices reach a breaking point.
“Waterlanders” is Simone van Dusseldorp’s 1994 graduation film from the Netherlands Film and Television Academy. It depicts two sisters coping with their parents’ death and constructing their own reality in an attempt to regain a sense of agency. While the sisters share an unbreakable bond, the older sister’s growing curiosity about the outside world strains their relationship as the younger sister resists these newfound changes.
A policeman's son searches for a suitable subject for an essay about an important person.
In a tiny after-hours club, Nina Simone finds a way, for one moment, to be free.
A businesswoman finds herself saying YES