Ma famille entre deux terres

Perdus entre deux rives, les Chibanis oubliés

Stay In Algeria

Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.

Et les arbres poussent en Kabylie

A warm, attentive chronicle of everyday life in a small Algerian town, with the backdrop of the inhabitants' development and beautification of one of the neighborhoods. We meet an amateur mechanic, a retired man from France, a doctor, old women and young men. Everyone plays... in front of the camera of one of the youngsters. Even when the riots in Kabylia disrupt the course of daily life in the Cité des Martyrs.

Algérie, la vie toujours

Moudjahidate

Woman of Courage - Louisa Ighilahriz

The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence. A student, she joined the independence struggle at the age of 20, joining the ranks of the FLN on the eve of the Battle of Algiers in late 1956 under the name Lila. She took part in the high school students' strike, then fled into the maquis when she was actively sought after. She was part of the French FLN support network of "suitcase carriers" during the Battle of Algiers. Seriously wounded alongside her network leader, Saïd Bakel, during an ambush in 1957, hospitalized and then imprisoned, she suffered numerous tortures in French prisons. She will be saved from certain death by an anonymous person, she will seek, for forty years, to find him just to show him her gratitude... Emblematic of the painful Franco-Algerian history, Louisa's story is poignant and imbued with humanism.

Glimpses of Morocco and Algiers

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Aleph

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

Qui êtes vous Mr. Iguerbouchène ?

Mohamed Iguerbouchène was born on February 7, 1907 in Aït-Ouchen in Algeria. He left for England in 1923 where he studied music and harmony. Subsequently, he went to Vienna, Austria, to learn piano techniques where he won 1st prize in harmony and piano. Mohamed Iguerbouchen became a composer, he composed four symphonies and several film scores including the famous “Pépé le Moko” (1937) with Jean Gabin. Mohamed Iguerbouchène bowed out on August 21, 1966 following a long illness.

Oversand

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

143 Sahara Street

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Algeria, Year Zero

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

The Panafrican Festival in Algiers

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Algeria in Flames

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Algeria 1954, The Revolt Of A Colonized

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Vote off

Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live

Des femmes

The Zerda or the Songs of Forgetting

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Angelique and the Sultan

Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.

Box

8mm film by Swiss artist Roman Signer.

Serial Killers: The Real Life Hannibal Lecters

This documentary examines a selection of real life serial killers and compares them to the fictional Hannibal Lecter.

009 Re:Cyborg

009 Re:Cyborg follows a group of nine cyborgs, each of them created by a shadowy organization for use as weapons against humanity. The group turns on their creators to protect the population instead, using the powers given them to fight their creators.

Return

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

People's Avengers

About the partisan movement during the Great Patriotic War.

Steel - Variations on a Theme

Some Like It... Cold

The old Valmorin died 200 years ago. The notary tells the family about the inheritance: the one who is terminally ill will receive the money. They all try their luck with getting ill before the other so one family member pretends to be deaf, another pretends to have a terrible back ache and so on...

The Bells of Death

A simple woodcutter named Wei Fu finds his world shattered when three murderous horsemen arrive to kill his family and kidnap his sister. Left with nothing but his mother’s bell-laden bracelet, he sets out to seek his revenge. Lucky for him, Wei Fu encounters a master swordsman, who takes him under his wing.

Moments: Six

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

All Day All Week: An Occupy Wall Street Story

In the summer of 2011 a group of young activists set out to #Occupy Wall Street. Using social media and self-organization, an action became a movement. Within a matter of weeks there were over one thousand occupations across the globe. People were rising up against a corrupt political and economic elite and calling for real democracy. All Day All Week: An Occupy Wall Street Story is an inside look at the making of a movement. From the planning stages, throughout the course of the occupation, and beyond, the film tells the story of Occupy Wall Street from the perspective of those who lived it.

Vasool Raja MBBS

A goon, Rajaraman, enrols himself in a medical college to fulfil his father's dream. He defies the college rules and creates problems for Dr Vishwanathan.

Taemin - the 2nd Concert T1001101

T1001101 is the second concert tour of K-Pop superstar Taemin. The concert was filmed during the tour's three consecutive sold-out shows on March 2019 at SK Olympic Handball Gymnasium.

The Wolverine: Path of a Ronin

A nice exploration of the samurai-ninja aspect of the story, including its roots in the actual Marvel comic books. There are the requisite interviews with the principal cast and crew along with copious clips from the film as well as some behind the scenes footage (including a look at that supercool metallic bed that the elderly Yashida lies on in the lab in his fortress).

20th Century Boys 3: Redemption

The final showdown, and the final reveal. who is Friend? How can he be stopped?

Welcome in Vienna

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

Gamera 2: Attack of Legion

A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

Papercut

Two closeted actors en route to an awards show argue in a chauffeured limo about how important it is to appear straight.

Kizumonogatari Part 2: Nekketsu

Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.

Dampfnudelblues

After the forcible transfer to his Bavarian home village, an ex-criminal cop investigates the death of a school principal who he thinks had lots to hide.