"Welcome to the dance hall—a place where sound and sight twist into the surreal."
An experimental short film exploring the interplay between sound and visual discomfort, recorded in a dance hall.
Social & External
A young farm boy turned murderer tries to escape his troubled past and finds himself in the center of a forbidden place cursed with an unknown creature.
A cine-essay about the ego death and consciousness rebirth.
Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.
Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…
Seven years after losing his wife and child to a group of sadistic eleven-year-olds, Paul meticulously plans his brutal revenge against the now-teenage perpetrators. In a tense confrontation, Paul is visited by the ghost of his late wife, Helena, who pleads with him to abandon his violent quest. As Helena tries to convince him of the consequences of vengeance, Paul reveals the dark steps he has already taken in his pursuit of retribution.
Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.
The Smiling Man descends into hell, and, trapped in the walls of his own homosexual longing, he must now confront his motherly obsession.
Anna invites something sinister into her home when her online shopping obsession leads to a mysterious late-night delivery.
A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.
An Evil Entity intrudes on a YouTube Vlog by a group of Queer teenagers.
Torn between loyalty to her family, and her love for Jason, Medea attacks her father and flees with Jason to unknown lands. Her brother pursues them. When Jason betrays and abandons her, she is driven to the ultimate act of vengeful destruction.
After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.
Yara is an immigrated girl. Escaped from the horrors of the war, she finds herself in a refugee center. Here she will meet Lucas, with whom she will start a relationship. With the help of the social worker, Nadia, the couple, in economic difficulties, manage to find a temporary accommodation in a council house, unaware that the real horror will start as soon as they cross that door.
A woman who sleepwalks enlists the assistance of her live-in boyfriend to find out where she goes at night.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Anna is thinking of quitting sex work. She hears screaming from out the window.
A man believes a dark entity is attacking him while he sleeps.
In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
Estranged sisters Margo and Grace attempt to reconcile on Christmas Eve, but are interrupted by a killer masked snowman.