The sinister mesmerist Svengali hypnotizes a group of people and compels them to perform various humorous acts in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.
Social & External
Tom, a young man in a small town, wants to marry his sweetheart Jane, but Jane's father won't allow it until Tom proves he can support her. Tom heads to New York City to make his fortune and prove to Jane's father that he has what it takes, but he meets and falls in love with Amy, a chorus girl who already has a wealthy suitor. Complications ensue.
A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.
Ismail Yassin and his relatives have to spend a month living in a haunted house in order to collect their inheritance.
Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.
Stan and Ollie are salesmen attempting to sell a washing machine; they fail constantly after several near misses. One would-be sale has them carrying the machine up a large flight of steps, only to find out that a young lady wants them to post a letter for her. The boys later get into an argument knocking off each other's hats, which eventually involves scores of others. A police van eventually carts all those involved away except Stan and Ollie, who afterwards try to find their own headgear amongst the hundreds of others lying on the street.
Alone in her apartment during the pandemic, Natalie turns to her favorite classic movies to keep her company. When her life in color gradually begins to turn to black-and-white, she takes a magical tour through film history, recreating a dazzling array of classic movie scenes.
Tawfik is in the midst of a financial crisis when his relative dies. As the sole heir, he sells her furniture to pay off his debts, only to discover that she left him a precious jewel inside a piece of furniture. As he tries to retrieve it, a gang goes after the jewel as well.
Clarissa spins the tale for her children of how when she was a young girl, she was the belle of the small town of Cherry Pit Siding. Winning the title of “the most popular young lady” at the annual fireman’s ball she is awarded the prize of a beautiful calf. Loved by artist Josh Jiggers she poses for a painting to be known as "Clarissa's Charming Calf." Unfortunately for the lovers New York variety manager Omar Commerstein espies the portrait and yearns to make Clarissa a roof-garden attraction. When she spurns him, he takes desperate measures to ensnare her but thanks to the efforts of Josh and the firemen the villainous manager and his confederates are soon thwarted. Reunited Clarissa and Josh marry.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Two musicians witness a mob hit and struggle to find a way out of the city. Their only opportunity comes in the form of joining an all-girl band as they prepare to leave on a tour. The two disguise themselves as women and struggle to keep their identities secret as they deal with the problems this brings.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.
Young Frederica Calhoun, naïve to the ways of the world, having grown up on her father’s Montana ranch, is swept off her feet by the arrival of Lord Cecil Grosvenor, a prospective buyer. He opens her eyes to a hitherto undreamed-of world of refinement and he by her unfailing sweet disposition and sunny bubbling good spirits. They are soon engaged, but during a trip to New York to visit his sister Frederica begins to let her doubts get the better of her and disguising herself as a man follows him to the French Ball, but all turns out well in the end.
Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.
James Montgomery Flagg first draws his sketch of the girl, and then tearing it from its frame reveals the real girl lounging in bed with the pouting expression which is her wont. Then we are treated to an exposé of her various moods and selfish acts. For instance, she allows mother to bring breakfast to her in bed, and doesn't even greet her with a smile nor trouble to thank her. And it is nothing for father and mother to sit up until daylight to open the door for her as she returns from a dance. Finally she demands an automobile so that she will not have to bother with taxis, and in order to grant her wish, some of the household furniture has to be sold. In a tantrum she takes her car and goes to her lover, and the closing scene shows her in a home of her own, making life miserable for a husband.
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