"THE MACHINE IN THE SHELL"
A light explodes and becomes a snail.
Social & External
To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.
An eight-hour contemplative epic, entirely starring sheep.
One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.
Life is what we don't want it to be.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
Then, now, where? how?
As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.
Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.
"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
The day with the sky neither too blue nor too grey. With a hint of red. The train crowded and the backpacks between the feet. The loves on every corner, the ones we pretend not to see.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
An experimental four-part short film that shows the outcomes of life through a vacation trip.
A second part mini documentary series of "The Middle" stories of UFO and Extraterrestrial contact.
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
Mickey and his friends take a close look at important street safety situations and tips.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
The Stooges run a pet hospital and are the proud surgeons of Garçon, a prized girl poodle of socialite Mrs. Bedford . When two men posing as reporters kidnap the poodle, the boys frantically try track them down.
A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.
Yoshio Hori is a day laborer in the 1980s during Tokyo's economic boom. Initially, Yoshio sought out Asagaya to live a free-wheeling lifestyle but that was quickly dropped as he was confronted with reality. He lives a life of extreme poverty and encounters all types of characters from Japan's sub-cultures, including yakuza, drug addicts, and alcoholics.
Set to music by Bikini Kill (an all-girl band from Washington), Girl Power is a raucous vision of what it means to be a radical girl in the 90s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.
Dick Romans is a washed up TV host whose wife walks out on him the day before their ten year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become Dick's reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self examination.
Two childhood friends become mortal enemies after their lives take drastically different paths and they discover that they are both in love with the same woman.
Be My Brother stars aspiring actor Gerard O'Dwyer as Richard, a young man whose charm and charisma challenges the prejudices of a stranger waiting at a bus stop. When he impacts the stranger’s world, he also impacts the heart and mind of someone else close by. With Gerard O'Dwyer in the leading role, Tracie Sammut as camera assistant, Georgia Cranko as unit manager and Gordon Crane as gaffer, the filmmaking experience of Be My Brother presented an opportunity for creative people with disabilities to experience working on a film set in the capacity of either crew member or performer. Genevieve met Gerard while filming a documentary for Down Syndrome NSW, as part of the Up, Up and Away Project, and was instantly inspired by his vivacious personality and a photographic memory for dialogue. She decided to write a script for him to act as the lead, in order to create a platform to showcase his talent and ability as an actor.
Film about the first French expedition in 1968 in the Wakhan Corridor in Afghanistan. After a long and laborious approach by R4 car in the footsteps of Marco Polo, through Turkey, Iran and Afghanistan, to the high valley of Wakhan, in the heart of the Hindu Kush, Isabelle and Henri Agresti (high mountain guide), accompanied by Yves Dominoni, Renée and Lucien Agresti, more than precious help, explore a little-known valley for 40 days, and climb some virgin peaks of 5000 and 6000 meters. The return to Europe will be by the tracks and roads of the south: Pakistan, Iran, Iraq, Jordan, Syria... A trip of approach to go later to explore the mountains of China, then still closed, and the Tibetan side of Everest... The project of a lifetime.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
For Burgess "Buzz" Zwink (Bradford Jackson), wasting life is a way of life. At thirty-two years old, and still living with his parents, Buzz's adult life seems to be nothing more than a continuous haze of debauchery. That is until his carefree recklessness lands his lifelong friend in the hospital after another of his drunken mishaps. Faced with the reality of his choices as he reluctantly forces himself into sobriety, Buzz begins to realize just how much pain he has caused to those around him. With the help of a young Inupiaq boy (D'Artagnon Moonin), and an elderly, life-long alcoholic (Thomas G. Jacobs), Buzz must face his past, present, and possible future in order to take his life back from the bottle, and above all else, seek forgiveness not only from those he has wronged, but from himself.
Making of documentary surrounding the production of ‘Anora’
A wanderer, captivated by the beauty of the world, carries a unique and terrifying curse: every illness he sees transfers to him. To escape this fate, he makes the ultimate sacrifice, relinquishing his eyesight—the very sense that connects him to what he loves most, at this point he happens to meet someone which shapes this short film.
