The James Brown Story
Social & External
Unknown Role
Narrator
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.
Set 1: Good Times(Sam Cooke cover) Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (>) Deal(Jerry Garcia cover) Me and My Uncle(John Phillips cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Terrapin Station(Grateful Dead cover) Don't Ease Me In(Henry Thomas cover) Set 2: Eyes of the World(Grateful Dead cover) Shakedown Street(Grateful Dead cover) (>) St. Stephen(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (>) Days Between(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: Going Down the Road Feeling Bad([traditional] cover)
Set 1: Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Loose Lucy(Grateful Dead cover) (with 'Take Me to the River' tease) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) Set 2 Playing in the Band(Bob Weir song) (>) The Wheel(Jerry Garcia cover) (with 'Diamonds on the Soles… more ) St. Stephen(Grateful Dead cover) (> 'William Tell Bridge' >) The Eleven(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Dark Star(Grateful Dead cover) (verse 2) Althea(Grateful Dead cover) Stella Blue(Grateful Dead cover) (>) One More Saturday Night(Bob Weir song)
Stan Lee interviews Whilce Portacio
A group of hip '90s teens educate new drivers about how to conduct themselves around semi-trucks on the freeway.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Set 1: Good Times(Sam Cooke cover) (Cover of Grateful Dead's… more ) Hell in a Bucket(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Jack Straw(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) (>) Cassidy(Bob Weir song) They Love Each Other(Jerry Garcia cover) (1973 version) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Set 2: Deal(Jerry Garcia cover) (>) Playing in the Band(Bob Weir song) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Unusual Occurrences in… more ) Uncle John's Band(Grateful Dead cover) (> 'Playing in the Band'… more ) Morning Dew(Bonnie Dobson cover) Encore: Ripple(Grateful Dead cover)
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) (>) Loser(Jerry Garcia cover) High Time(Grateful Dead cover) (Oteil vocals) Samson and Delilah([traditional] cover) Althea(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Bird Song(Jerry Garcia cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Estimated Prophet(Grateful Dead cover) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil on banjo bass and… more ) Space(Grateful Dead cover) (>) Days Between(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) Encore: Truckin'(Grateful Dead cover) (>) Brokedown Palace(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) (Reprise from 7/14)
Stan Lee interviews Todd McFarlane
Stan Lee interviews Rob Liefeld
Stan Lee interviews Sergio Aragonés
Stan Lee interviews Bob Kane
Stan Lee interviews Jim Lee
Stan Lee interviews Will Eisner
Nischelle Turner hosts a tribute to the late comic with a look back at his 70-year career, featuring never-before-seen interviews and his final interview from his home in Los Angeles.
Todd McFarlane, Rob Liefeld, Jim Lee and Whilce Portacio show Stan Lee how to create a comic book.
Compendium of Greatest Moments with artists from Comic Book Greats Series
Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock 'n' roller, Rodriguez.
Evolution as an artist is often times what separates legends from the more mundane. After being heavily influenced by his experience in Jamaica – and his subsequent name change from Snoop Dogg to Snoop Lion – the LBC showman prepares his latest reggae-infused album Reincarnated. As part of the process, VICE followed Snoop to the island nation as he recorded various songs with backing from Diplo, Ariel Reichtshaid and Dre Skull of Major Lazer. Having grown tired of what rap provided him, the documentary reveals the rebirth and inspiration for his latest project.
A primetime special with performances from the superstar including Adele’s first new material in six years plus her chart-topping hits. The special will also feature an exclusive interview with Adele by Oprah Winfrey from her rose garden, in Adele’s first televised wide-ranging conversation.
A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
Through archival interviews and footage, George Michael and Andrew Ridgeley relive the arc of their Wham! career, from 70s best buds to 80s pop icons.
A behind-the-scenes documentary about the recording of Aretha Franklin's best-selling album finally sees the light of day more than four decades after the original footage was shot.
Forty years after the release of Michael Jackson’s ‘Thriller,’ the best-selling album of all-time, director Nelson George takes fans back in time to the making of a pop masterpiece, featuring never-before-seen footage and candid interviews.
Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
Documentary about the arena-packing Swedish DJ, chronicling his explosive rise to fame and surprising decision to retire from live performances in 2016.
Featuring never before seen footage uncovered from the archives and interviews with Paul McCartney, Tommy Lee and others, God Bless Ozzy Osbourne is the first documentary to take viewers inside the complex mind of rock's great icon.
A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.
Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
An intimate concert film, in which Taylor Swift performs each song from her album 'folklore' in order, as she reveals the meaning and the stories behind all 17 tracks for the very first time.
A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.
The individual journeys of the four members of the band, as they move through the music scene of the 1960s, playing small clubs throughout Britain and performing some of the biggest hits of the era, until their meeting in the summer of 1968 for a rehearsal that changes their lives forever.
In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.
A backstage and on-stage look at Justin Bieber during his rise to super stardom.
The history of Sound City and their huge recording device; exploring how digital change has allowed 'people that have no place' in music to become stars. It follows former Nirvana drummer and Foo Fighter David Grohl as he attempts to resurrect the studio back to former glories.
A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."